The Ballroom

July 11, 2016
Patients in an asylum in 1911 find hope and redemption amid the bleakest circumstances in Hope’s heartbreaking second novel (following Wake). After a violent confrontation at the mill where she works, Ella Fay finds herself confined in the Sharston Asylum, a bleak institution on the edge of the Yorkshire moors where female patients are confined indoors, subjected to hard labor, and bullied by belligerent nurses. The one bright spot in the patients’ week is the weekly dance thrown in the asylum’s ballroom. Presided over by attending physician (and amateur musician) Charles Fulller, the dances are the one opportunity male and female patients have to interact. It’s here that Ella meets John Mulligan, an Irishman confined to the hospital for melancholia after the death of his wife and child. The two strike up a passionate affair, facilitated by the clandestine exchange of letters. Such a romance runs counter to Dr. Fuller’s philosophies on the treatment and welfare of his charges, which, to the modern reader, range from confusing (“excessive reading is dangerous for the female mind”) to outright backward (forced sterilization). And as Dr. Fuller’s own grip on reality begins to loosen, Ella and John’s chances for a happy life—together or apart—begin slipping away. Though the subject matter is occasionally difficult, a compelling cast of emotionally resonant characters, as well as a bittersweet climax, render Hope’s second novel a powerful, memorable experience.