Prospero's Daughter

This variation of THE TEMPEST is ingenious and ambitious, if often unconvincing. The amoral English doctor Peter Gardner (Prospero) is so entirely wicked that it's hard to believe his daughter, Virginia (Miranda), isn't heartily sick of him by the time he has stolen young black Carlos's (Caliban) house, regularly abused Ariana (Ariel) since she was 9, and falsely accused Carlos of raping Virginia. Set on an island off Trinidad in the '60s, the book and skillful reading by Simon Vance have much to admire, but I question the choice of a male narrator altogether. This book is not titled "Prospero", or "Caliban," or written by a William--and a female narrator might have given Virginia and Ariana more (and much needed) credibility. B.G. (c) AudioFile 2006, Portland, Maine

October 17, 2005
Nunez (Bruised Hibiscus
; Grace
) critiques colonialist assumptions about race and class in this ambitious reworking of The Tempest
, set in her native Trinidad in the early 1960s. Dr. Peter Gardner (the Prospero figure) arrives on the island with his baby daughter after a botched medical experiment in England made him an outlaw. The novel's Caliban is Carlos, a mixed-race orphan whose house on an outlying island the doctor steals. Gardner teaches the boy biology, astronomy, music—"an exclusively European education," Carlos later reflects—but his natural brilliance far surpasses anything the doctor can impart. Inevitably, Carlos and Gardner's daughter, Virginia (Miranda), fall in love; the doctor, in a paroxysm of rage at the thought of a sexual union between his daughter and a dark-skinned man, accuses Carlos of attempted rape. As the criminal charge is investigated, Nunez reveals Gardner to be the real criminal—not only toward Carlos, but also toward his native servant, Ariana (Ariel), and Virginia herself. With its strong themes and dramatic ironies, this story should speak for itself; Nunez, however, overexplains her material, forecasting plot developments and leaning, at times, toward didacticism. But while her portrait of demonic scientist Gardner remains superficial, readers will find her love story—which has a refreshingly happy ending—very sensitively told.