Melmoth

Listeners will be slowly drawn into the story of Melmoth the Witness, aided by Jan Cramer's deliberate and eerie narration. Helen Franklin, a briskly voiced woman living in present-day Prague with an eccentric older woman as her roommate, allows herself few pleasures as punishment for a transgression she committed decades ago. When a scholar friend leaves Helen documents he collected as he obsessed over legends of Melmoth, the witness of humanity's darkest deeds, Helen finds a name for her own haunted feeling. Cramer narrates the documents of atrocities around the world and through the centuries with subtle accents, leading the listener through tales of evil acts and complicity. Cramer amps up the drama in the final act, leaving listeners shivering and wondering what they themselves have just witnessed. E.E.C. � AudioFile 2018, Portland, Maine

Starred review from August 13, 2018
Loosely inspired by Charles Maturin’s 1820 novel, Melmoth the Wanderer, the successor to Perry’s 2016 novel, The Essex Serpent, is an unforgettable achievement. At 42, British-born translator Helen Franklin lives in Prague, denying herself love and pleasure to atone for an unnamed wrong she committed 20 years before. In December 2016, she has a disturbing encounter with her friend, university professor Karel Pražan, during which Karel clutches a leather file and speaks wildly of Melmoth, a specter that folktales claim was among the women who glimpsed the risen Christ. After denying her sight of God, she was cursed to wander forever, seeking out the wicked in the hopes that bearing witness will win her salvation. When Karel suddenly disappears, Helen delves into his file, which chronicles Melmoth’s appearances to individuals culpable of individual or collective acts of cruelty. Soon, she too is haunted by a shadowy figure and drawn inexorably toward a reckoning with her past. Though rich in gothic tropes and sinister atmosphere, the novel transcends pastiche. Perry’s heartbreaking, horrifying monster confronts the characters not just with the uncanny but also with the human: with humanity’s complicity in history’s darkest moments, its capacity for guilt, its power of witness, and its longing for both companionship and redemption.