生死疲劳(Life and Death Are Wearing Me Out)

《生死疲劳》作者莫言怀抱华美颓败的土地，决意对半个世纪的土地做出重述。莫言郑重地将土地放在记忆的丰碑前，看着它在历史中渐渐荒废并确认它在荒废中重新获得庄严、熔铸、锋利。《生死疲劳》是一部向中国古典小说和民间叙事的伟大传统致敬的大书。在这次神圣的"认祖归宗"仪式中，小说将六道轮回这一东方想象力草灰蛇线般隐没在全书的字里行间，写出了农民对生命无比执著的颂歌和悲歌。三地主西门闹一家和农民蓝解放一家的故事充满了吊诡和狂热，唏嘘和罹难。（Mo Yan, the author of Life and Death Are Wearing Me Out, embraces the land of beauty and decadence, and determines to make a restatement for the land of half a century. Mo Yan solemnly puts the land in front of the monument of memory, watching it gradually abandoned in the history and confirming it to regain solemnity, casting and sharpness in the abandoned. Life and Death Are Wearing Me Out is a big book that tributes to the great traditions of Chinese classical novels and folk narratives. In this sacred "ancestor finding" ritual, the novel hides the Eastern imagination as the six reincarnations in the book between the lines, and writes the farmer's very persistent carol and sad song to life. The story of 3rd Landlord Xi Men Nao family and Farmer Blue Liberation family is full of paradox and fanaticism, sighs and difficulties.）