A God in Ruins

A God in Ruins
افزودن به بوکمارک اشتراک گذاری 0 دیدگاه کاربران 3 (1)

مشارکت: عنوان و توضیح کوتاه هر کتاب را ترجمه کنید این ترجمه بعد از تایید با نام شما در سایت نمایش داده خواهد شد.
iran گزارش تخلف

فرمت کتاب

audiobook

تاریخ انتشار

2018

نویسنده

Alex Jennings

ناشر

Doubleday Canada

شابک

9780385693530
  • اطلاعات
  • نقد و بررسی
  • دیدگاه کاربران
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نقد و بررسی

AudioFile Magazine
The much-anticipated continuation of the Todd family saga features the author's hallmark scope of action and complexity of character. Fortunately for the listener, narrator Alex Jennings is a master. From the opening lines, his impeccable British accent establishes the scene and captures the persona of the main character, Teddy, and the rest of the diverse cast. Jennings's clear diction and pace advance the action through richly detailed accounts of Teddy's adventures as a WWII bomber pilot as well as quieter dramas of his daily life and family relationships. Although this work is a companion to Atkinson's LIFE AFTER LIFE, the story is thoroughly enjoyable on its own. M.M.O. Winner of AudioFile Earphones Award © AudioFile 2015, Portland, Maine

Publisher's Weekly

Starred review from February 9, 2015
The life expectancy of RAF pilots in World War II was notoriously short, with fewer than half surviving the war. But Teddy Toddâthe beloved younger brother of Ursula Todd, whose life in all its variations was the subject of Atkinsonâs Life After Lifeâbeats the odds. Inner peace means resuming a life he never expected to have in a now-diminished England. He has nightmares; a wife he loves, although not necessarily enough or in the right way; and, eventually, a daughter who blames him for her motherâs early death and never misses a chance to mention the blood on his hands. As much postwar story as war story, the book is also a depiction of the way past and present mix. Atkinson fans know that she can bend time to her will, and here she effortlessly shifts between Teddyâs flying days and his middle and old age, between his grandchildren and their awful mother, and back again. And, as in Life After Life, Atkinson isnât just telling a story: sheâs deconstructing, taking apart the notion of how we believe stories are told. Using narrative tricks that range from the subtlest sleight of hand to direct address, she makes us feel the power of storytelling not as an intellectual conceit, but as a punch in the gut.




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