The Widow

There are no weak links in this multivoiced performance of a mystery told from several points of view. The story is centered on the disappearance of 2-year-old Bella from her front garden. Hannah Curtis narrates the chapters from the titular widow's perspective. She varies the texture and quality of her voice to reflect London hairdresser Jean Taylor's changing moods as she thinks about the Bella case and her late husband's incarceration and later acquittal for kidnapping and sexual predation. Nicholas Guy Smith, narrating from DI Bob Sparkes's viewpoint, skillfully conveys the detective's frustrations and anger over the unsolved crime. The smooth transitions among the five performers and the slow revelation of both the clues and the characters' personalities keep listeners fully invested in this dark character study. C.B.L. © AudioFile 2016, Portland, Maine

Starred review from November 30, 2015
What would you do if your spouse suddenly became the prime suspect in the kidnapping of a two-year-old girl? That’s the stomach-churning prospect that confronts London hairdresser Jean Taylor in this exceptional debut from British journalist Barton, who circles her story as if it were a lurking panther, unseen but viscerally sensed. The main action occurs in 2010, with flashbacks to little Bella Elliott’s headline-dominating disappearance from her home in Southampton in 2006. Multiple narrators maximize suspense, with perspectives switching among tough-to-read Jean, whose husband, Glen, has just been fatally hit by a bus at the book’s start; haunted Det. Insp. Bob Sparkes, the lead investigator, whose career the case jeopardizes; and tabloid reporter Kate Waters, most resourceful of the frenzied journalistic pack chasing the story. Though Barton stumbles slightly down the homestretch, tipping what should be her biggest bombshell, she tells her tale with a realism and restraint that add to its shattering impact. Author tour. Agent: Madeleine Milburn, Madeleine Milburn Literary Agency (U.K.).

April 25, 2016
With the disappearance of two-year-old Bella Eliot at its core, Barton’s novel combines elements of British police procedure with a psychological study of its three main characters: Jean Taylor, the widow of the title, whose overbearing husband, Glen, once the prime suspect in Bella’s kidnapping, has died in an automobile accident; Det. Insp. Bob Sparks, whose quest to find Bella becomes obsessive; and Kate Waters, a reporter whose journalistic ideals are threatened by her exploitation of Jean. A quintet of performers reads the novel. Hannah Curtis, responsible for Jean’s first-person accounts, slowly adds a bit of steel as she shifts from polite, subservient wife to something quite different. Nicholas Guy Smith handles Bob’s chapters, catching the detective’s fluctuating moods as well as his unhealthily increasing zeal in pursuing the investigation. He also portrays the other coppers and an assortment of witnesses and suspects, chief among them an angry Cockney with something to hide. Mandy Williams initially endows journo Kate with at least a shred of decency that’s whittled away when she gives in to the demands of her unsympathetic editor. In somewhat smaller roles, Jayne Entwistle’s turn as Bella’s mother is properly weepy and resentful, while Steve West’s Glen, stretching out the suspense, dies angrily maintaining his innocence. A NAL hardcover.