Ravelstein

Abe Ravelstein, the title character, is Bellow's thinly disguised recreation of his friend, the luminous, exasperating, iconoclastic literary critic and crank, Allan Bloom. Although described as a novel, Ravelstein is threadbare in the plot department. It is instead a portrait of a vivid, unpredictable intellect through the eyes of his patient, adoring friend, Chick. Lacking as it does much of a linear thread, Matthews has no narrative tension to draw upon in his reading. His only hope is to fully inhabit Ravelstein, to capture his hubris, his wit, his passion. In this, Matthews triumphs. He conveys a Ravelstein that is sometimes as much a storm system as a man. Not only does Matthews capture the essence of the character, he does so without ever losing touch with the most touching aspect of Bellow's work, that it is a love story between two friends. M.O. (c) AudioFile 2001, Portland, Maine

Starred review from May 1, 2000
Age does not wither Saul Bellow. The 84-year-old writer's new novel is echt Bellow--the grab-bag paragraphs stuffed with truculent observations; the comedic mix of admiration and rivalry that subtends the friendships of intellectual men; the impossible and possible wives. Abe Ravelstein, a professor at a well-known Midwestern college, is obviously modeled on the late Allan Bloom. To clinch the identification, Bellow's narrator, Chick, a writer 20 years older than Ravelstein, uses phrases to describe Ravelstein that are almost identical to phrases Bellow used about Bloom in his published eulogy. Like Bloom, Ravelstein operates his phone like a "command post," getting information from his former students in high positions in various governments. Like Bloom, Ravelstein writes a bestseller using his special brand of political philosophy to comment on American failings. And like Bloom, Ravelstein throws money around as if "from the rear end of an express train." In fact, Chick is so obsessed with the price of Ravelstein's possessions that at times the work reads like a garage sale of his student's effects. Ravelstein also spends lavishly on his boyfriend, Nikki, a princely young Singaporean. Chick's wife, at the beginning of the memoir, is Vela, an East European physicist. Ravelstein dislikes her, and suspects that her Balkan friends are anti-Semites. Eventually, Vela kicks Chick out of his house and divorces him (fans will not be surprised that Bellow, as seems to be his habit, makes this a thinly veiled attack on his ex-wife). Chick ends up marrying one of Ravelstein's students, Rosamund. When Ravelstein succumbs to AIDS, Chick mulls over his obligation to write a memoir of his friend, but he is blocked until he himself suffers a threatening illness. Chick's alternate na vet and subconscious rivalry with Ravelstein is the subtext here. Amply rewarding, this late work from the Nobel laureate flourishes his inimitable linguistic virtuosity, combining intimations of mortality with gossipy tattle in a biting and enlightening narrative. First serial to the New Yorker.