A Book of American Martyrs

December 12, 2016
On Nov. 2, 1999 in Muskegee Falls, Ohio, a self-described “soldier of God” named Luther Dunphy loads a shotgun, drives to an abortion clinic near his home, and guns down Dr. Augustus Voorhees as he arrives at work. In this chilling novel, bestselling author Oates (Carthage) approaches one of America’s enduringly divisive topics through the lens of a sprawling family epic. The bulk of the novel deals with the shooting’s aftermath and its impact on the daughters of Dunphy and Voorhees—two women whose lives are permanently shifted by their fathers’ legacy for opposite sides of the contentious abortion-rights debate. Divided into five sections, the book begins by delving into the lives of Dunphy (now on death row) and Voorhees before the narrative finally coalesces around Naomi Voorhees’s floundering attempts to understand her family, leading her to a career in documentary filmmaking and a surprising connection with Dawn “The Hammer of Jesus” Dunphy, whose anger and aggression propel her into a championship-level boxing career. Unfortunately, some of the emotional nuance is thinly developed, with the majority of the characters standing as archetypes of opposing worldviews. Nevertheless, Oates’s sprawling tale presents a sensitively painted portrait of the inextricable quality of grief and the weight of family legacy, showing how unexpected connections can bind people together in counterintuitive ways.

December 1, 2016
Wounded families survive two men's martyrdom.Once again drawn to America's heart of darkness, Oates (The Man Without a Shadow, 2016, etc.) takes on the incendiary issue of abortion in a long, contorted, and ultimately unsatisfying tale focused on the killing of Gus Voorhees, an abortion provider, by Luther Dunphy, an evangelical. The shooting itself interests Oates less than the aftermath, as each man acquires "a mythic-heroic reputation" and each man's family is plagued by grief "that is not pure but mixed with fury. Murderous grief, that no amount of tears can placate." It feels, says Voorhees' daughter, like "an autoimmune disease." Both Voorhees and Dunphy emerge as stereotypes: idealistic Voorhees was radicalized in "the sour aftermath of the Vietnam War" when he was a pre-med student at the University of Michigan. Rejecting the chance to join his father's private practice, he champions women's reproductive rights, becoming a vocal activist even in the face of death threats to his family. Dunphy, a carpenter, roiled by lust and weak to temptation, is suddenly converted in his wife's evangelical church; Jesus, he comes to believe, impels him to avenge and prevent the killing of babies. "Free choice is a lie/Nobody's baby chooses to die," protestors chant at the Ohio clinic where Dunphy shoots Voorhees. Oates recounts Dunphy's arrest, trials (the first ends in mistrial), and sentencing; but her interest is engaged more by his beleaguered wife and bitter, sullen daughter, Dawn. Viciously bullied, Dawn is beaten and violated--Oates revels in mud and blood; Dawn's revenge is bloody, too, as is her later career as a boxer (a nod to Oates' On Boxing, 1987); but these pale next to a horrifying scene where anti-abortion zealots, including Dunphy's wife, rescue fetal remains from a dumpster in order to give them a Christian burial. In the last third of the book, new characters twist the plot in puzzling directions, leading to an unbelievable and anticlimactic end. Oates masterfully renders tension and despair but not the complexity of her subject.

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September 15, 2016
In this timely and morally stringent new work, hard-believing evangelical Luther Dunphy claims to be carrying out God's will when he assassinates small-town abortion provider Augustus Voorhees, who believed that he was offering an essential health service. Oates examines the convictions of murderer and victim and the unfolding difficulties for their families. With a 100,000-copy first printing.

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