A Piece of the World

December 19, 2016
The world of the woman immortalized in Andrew Wyeth’s haunting painting Christina’s World is imagined in Kline’s (Orphan Train) intriguing novel. The artist meets Christina Olson in 1939 when he summers near her home in Cushing, Maine, introduced by Betsy James, the young woman who knew the Olsons and would become Wyeth’s wife. The story is told from Christina’s point of view, from the moment she reflects on the painting; it then goes back and forth through her history, from her childhood through the time that Wyeth painted at her family farm, using its environs and Christina and her brother as subjects. First encountering Christina as a middle-aged woman, Wyeth saw something in her that others did not. Their shared bond of physical infirmity (she had undiagnosed polio; he had a damaged right foot and bad hip) enables her to open up about her family and her difficult life, primarily as a shut-in, caring for her family, cooking, cleaning, sewing, and doing laundry—all without electricity and despite her debilitating disease. Hope of escape, when her teacher offers her the chance to take her place, was summarily quashed by her father. Her first and only romance with a summer visitor from Boston has an ignoble end when he marries someone in his social class. Through it all, the author’s insightful, evocative prose brings Christina’s singular perspective and indomitable spirit to life.

Polly Stone's first great choice in performing this lovely audiobook is to not attempt a Downeast accent for Christina Olsen, which would have made her humanity less universal, and which no one gets right anyway. Christina is the model for the woman in the field in Andrew Wyeth's famous painting CHRISTINA'S WORLD. In telling a story of her, Kline runs a huge risk because it's the wondering who Christina is and what she is feeling that gives the picture its power. Making her specific might have destroyed our connection to her, but, instead, amazingly, Kline paints a Christina just as evocative and memorable as Wyeth's. Stone does the best possible thing in her performance; she becomes invisible, letting this remarkably imagined Christina live and shine. B.G. � AudioFile 2017, Portland, Maine

September 15, 2016
Andrew Wyeth's celebrated Christina's World features neighbor Christina Olson sitting in a field, her damaged legs stretched out behind her as she gazes across dry-brush fields toward a distant farmhouse. Kline, whose Orphan Train spent more than two years on the New York Times best sellers list, here expands on the painting to imagine Christina's life. With a 350,000-copy first printing.

Copyright 2016 Library Journal, LLC Used with permission.

Starred review from February 1, 2017

Andrew Wyeth's painting Christina's World is considered to be one of his best works. It features a woman in a pink dress crawling up a grassy hillside toward a stark wood-framed house. The colors are muted and the overall effect is bleak. The painting's namesake was a real person, Christina Olson, who lived on her family's seaside farm in Maine and suffered from a degenerative condition now believed to be Charcot-Marie-Tooth Disease. In this finely drawn novel, the author of Orphan Train imagines what it was like to be Christina, consigned to a hard life running a farm even as her world gradually shrinks owing to a debilitating and mysterious ailment. Introduced to Wyeth by a family friend, Christina and her home inspire the artist. He visits daily, setting up a studio in an upstairs room. He admires her quick mind and perseverance. She appreciates his artistic talent and that he does not pity her. As Kline pieces together different eras of Christina's life, her word portrait depicts a stubborn, determined woman. VERDICT Kline expertly captures the essence of Wyeth's iconic masterpiece and its real-life subject, crafting a moving work of historical fiction. [See Prepub Alert, 8/15/16.]--Christine Perkins, Whatcom Cty. Lib. Syst., Bellingham, WA

Copyright 2017 Library Journal, LLC Used with permission.

April 1, 2017
Applying her research from writing her best seller Orphan Train as well as her own experiences growing up in Maine, Kline has created an authentic portrayal of Christina Olson, the real-life inspiration for Christina's World, one of Andrew Wyeth's most iconic paintings. Wyeth and his young wife summered near the Olson homestead between the 1930s and 1960s, and he often used Olson and her brother as models in his work. In this novel, Christina's story is told in first person and includes flashbacks to help readers better understand how differently her life might have turned out if not for her circumstances. Christina and her brother Al sacrifice chances of finding true love and, in her case, the opportunity to become a teacher, because they have to keep the family farm running and care for their ailing parents. Day-to-day survival with no electricity in rural Maine is described in vivid detail. Such an unforgiving environment would be challenging enough for someone able-bodied but was far more difficult for Christina, who had a painful degenerative disease that eventually made it impossible for her to walk. Her struggles are portrayed in Christina's World, where she is shown dragging herself across a field. Thoughtful teens who appreciate literary fiction will find Christina's pragmatism and pride admirable. VERDICT Fans of historical fiction or those wanting to know more about this period of Andrew Wyeth's life will not want to miss this inspirational slice of history.-Sherry Mills, Hazelwood East High School, St. Louis

Copyright 2017 School Library Journal, LLC Used with permission.

September 15, 2016

Andrew Wyeth's celebrated Christina's World features neighbor Christina Olson sitting in a field, her damaged legs stretched out behind her as she gazes across dry-brush fields toward a distant farmhouse. Kline, whose Orphan Train spent more than two years on the New York Times best sellers list, here expands on the painting to imagine Christina's life. With a 350,000-copy first printing.

Copyright 2016 Library Journal, LLC Used with permission.

December 15, 2016
The real-life subject of an iconic work of art is given her own version of a canvas--space in which to reveal her tough personality, bruised heart, and "artist's soul." The figure at the center of Andrew Wyeth's celebrated painting Christina's World has her back to the viewer, but Kline (Orphan Train, 2013, etc.) turns her to face the reader, simultaneously equipping her with a back story and a lyrical voice. Meet Christina Olson, "a middle-aged spinster" who narrates her life in segments, dodging back and forth between her origins and childhood and her adult life, all of this material rooted in the large Maine house built by her family, whose early members, relatives of Nathaniel Hawthorne, fled Salem in 1743. Born in 1893, Christina is a clever schoolgirl whose opportunity to train as a teacher will be obstructed by her parents, who need her to work at home. The progressive bone disease which makes mobility difficult and brings constant pain scarcely reduces her ceaseless domestic workload. At age 20 she has one tantalizing chance at love, but after that Christina's horizons shrink until the day in 1939 when a friend introduces her to 22-year-old Andrew Wyeth. Christina, now 46, discovers a kindred spirit and Wyeth, a kind of muse whom he will paint several times. Kline lovingly evokes the restricted life of a sensitive woman forced to renounce the norms of intimacy and self-advancement while using her as a lens to capture the simple beauty of the American farming landscape: "The flat nails that secure the weather clapboards, the drip of water from the rusty cistern, cold blue light through a cracked window." It's thin on plot, but Kline's reading group-friendly novel delivers a character portrait that is painterly, sensuous, and sympathetic.

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