Ingo

Starred review from July 31, 2006
Dunmore's (The Siege, for adults) richly imagined fantasy, her first for young adults, posits tension between two parallel worlds: one undersea, the other along the rocky Cornwall coast. Sapphire, 11, and her older brother, Conor, have grown up in a close-knit family, loving the tidal cove below their cottage. Their father, Mathew, a fisherman and photographer, adores the sea; on the other hand, their mother has, in her words, "good reason to fear" it. When Dad disappears, and part of his boat is found, the family holds a memorial service and moves painfully through grief. Even a year after his disappearance, Sapphy and Conor refuse to believe their father is dead, while their mother begins to move on, befriending a visiting diver. Mer children Faro and Elvira begin to court the siblings, introducing them to such marvels as breathing underwater and swimming with dolphins. Ingo, the undersea world about which their father sang, beckons overpoweringly, and Sapphy, who is drawn back there repeatedly, begins to understand the Mer language. A wise beekeeper, whom some suspect is a witch, seems to know Mathew's fate. She subtly intercedes as Sapphy vacillates, "cleft" between her Mer and Air identities, and also suggests that Ingo is "breaking its bounds," intruding into the Air world. Dunmore makes both settings riveting, and captures Sapphy's lonely struggle through the heroine's first-person narrative. Dualities\x97skepticism and belief, collective memory and individual perception, the pull of Mer life versus Sapphy's family love\x97persist to the tale's end and beyond. Ages 10-up.

August 1, 2006
Gr 5-9 -A family living on the coast of Cornwall gets caught up in the undersea kingdom of the Mer people. After their father mysteriously disappears, Sapphy and her brother, Conor, visit Ingo and find themselves yearning to return to the ocean world. Conor resists, but Sapphy has a stronger affinity with the watery kingdom. While she struggles with its temptation, she also clashes with her mother, who seems too ready to forget the children -s father. These elements come together in an exciting climax in which the siblings risk traveling to Ingo to save the life of the human diver their mother is dating. Sapphy -s present-tense narration brings readers right into her world. Through her eyes, they see the beauty of Ingo, the comfort of her earthbound home, and the confusing muddle of thoughts and emotions that her experiences inspire. The undersea world seems equal parts menacing and alluring, which builds suspense and keeps everything pleasingly unpredictable. Relationships are especially well drawn. Sapphy is dedicated to Conor, despite some jealousy; she loves her mother, though she -s keenly aware of how different they are; and she is not sure how to feel about Faro, the charming, sometimes angry young Mer man who serves as her undersea guide. Strong character development combines with an engaging plot and magical elements to make this a fine choice for fantasy readers, who will look forward to the next installments in this planned trilogy." -Steven Engelfried, Beaverton City Library, OR"

Copyright 2006 School Library Journal, LLC Used with permission.

Starred review from September 1, 2006
Why does Dad get a dreamy look when he croons the old song about the magical sea world called Ingo? Then one misty morning Dad vanishes, and Sapphire and her brother, Conor, believe that the Mer people of Ingo have something to do with his disappearance. Legend has it that a young man with Mer sensibilities fell in love with a mermaid and abandoned his pregnant fiancee, paving the way for Mer traits to be passed down to others. If the legend explains Dad's disappearance, then the kids have some of the Mer traits themselves. Drawn almost irresistibly to the sea, they encounter Mer people and find themselves struggling to balance life on land with the secret delights and wonders offered in the water. Dunmore's narrative skims expertly across the pages as it chronicles the kids' thrilling adventures (the dolphin-riding scenes are grand) and deftly weaves in an ecological message about protecting the sea. Readers will eagerly await the next title in the planned trilogy from this talented British writer, who is as adept at writing books for children as she is at writing adult fiction and poetry.(Reprinted with permission of Booklist, copyright 2006, American Library Association.)