What to Do About the Solomons

February 6, 2017
Respected leader at his kibbutz, founder of a thriving construction business, 75-year-old patriarch Yakov Solomon is fed up with his children in Ball’s debut novel about a prosperous, beleaguered Israeli family. Yakov no longer speaks to eldest son Ziv, who lives in Singapore with another man; middle son Dror suffers from severe sibling envy; rich and successful Marc’s California investment firm faces criminal investigation; daughter Keren’s husband, Guy, cannot control his artistic impulses; and daughter Shira, whose acting career peaked with a bit part in a Harry Potter movie, leaves her 11-year-old son, Joseph, home alone while she visits Hollywood. Money can’t solve their problems, and medication—prescribed or illegal—only makes them worse. Marc returns to the kibbutz, his wife stoned, his childhood sweetheart suicidal, his future uncertain, while Joseph assists his half-brother’s attempt to run away from army service. Clearly, the Solomons have come a long way from the ideals of the kibbutz in early years. Ball switches points of view for a mosaic of family members and associates in crisis and adrift. Her terse, sharp-edged prose captures settings ranging from an American jail where highest bail is king to a French military post where they haven’t won a war since Napoleon, but they sure know how to live. For all its humor, penetrating disillusionment underlies Ball’s memorable portrait of a family, once driven by pioneer spirit, now plagued by overextension and loss of direction, unsure what to do with its legacy, teetering between resentment, remorse, and resilience. Agent: Duvall Osteen, the Aragi Agency.

February 1, 2017
An ambitious literary debut about an Israeli family and its oddball members.When Guy Gever starts taking branches and sticks, arranging them in bizarre configurations around his home or in the midst of a field, and calling the result "art," his wife's family, the Solomons, is concerned. Yakov Solomon, the family patriarch, is especially concerned. Yakov has financially supported each of his children well into adulthood, and it looks like his duties still aren't over. "When my children want money, they come to me," he says. "I've paid for six weddings, five divorces, the funeral of one daughter-in-law's father, and countless birthday celebrations. Now I must pay for Guy Gever's madness?" Ball's debut novel examines the lives of each of the Solomons--Guy Gever and Yakov, yes, but also Marc Solomon, Yakov's youngest son, who moves to LA from their cloistered kibbutz, marries, has children, and is then accused of money laundering; and Marc's sister, Shira, an aging actress who takes off for LA while her young son stays home alone; and there is Dror, another brother, and Vivienne, their mother, and also Maya, Marc's childhood girlfriend. In short, there are a lot of characters--perhaps too many--and each chapter picks up a new point of view. Those chapters jump around in time, too, so the complexities of certain relationships aren't made clear until the end. Ball's prose is compulsively readable, almost addictive, and she has a wicked sense of humor. But the novel doesn't quite add up: by the time you've met all the characters, the book is already ending, and nothing seems to have been resolved. Humor can't quite save this appealing novel that ends before it's fully begun.

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