Anything Is Possible

Starred review from February 20, 2017
In her latest work, Strout achieves new levels of masterful storytelling. Damaged lives can be redeemed but, as she eloquently demonstrates in this powerful, sometimes shocking, often emotionally wrenching novel, the emotional scars can last forever. If some readers felt that Strout’s previous novel, My Name Is Lucy Barton, was too subtle and oblique about Lucy’s hellish childhood, here Strout reveals specific details of the horrible circumstances in which Lucy and her siblings were raised, as recollected by some of the inhabitants of Amgash, Ill., and the surrounding communities. Using the novel-in-stories format of Olive Kitteridge, Strout again proves Tolstoy’s observation that each family is unhappy in its own way. Except for one episode in which Lucy herself comes back for a tortured sibling reunion, she is the absent but omnipresent thread that weaves among the dozen or so characters who are have suffered secret misery and are longing for love and understanding. Some are lucky: one of the five Mumford sisters reunites with her runaway mother in Italy; another, an angry young girl, is suddenly able to see the way to a brighter future. Others, including a Vietnam veteran with PTSD and a rich woman who is complicit in her husband’s depraved behavior survive despite the baggage of tortured memories. “They had grown up on shame; it was the nutrient of their soil,” one character acknowledges. Strout’s prose is pared down, yet rich with implication. It is left for the character in the final episode, Lucy’s cousin Abel, who despite a similarly deprived childhood is now a happy and successful business executive, husband, father, and grandfather, to observe, in what may be his final moments, that “Anything was possible for anyone.”

Through a series of linked stories, Strout revisits the small-town world she introduced in MY NAME IS LUCY BARTON. The citizens, now older but not necessarily wiser, face life's uncertainties as best they can. In an impressive encore performance of Strout's prose, Kimberly Farr successfully mines the essence of each flawed character, giving hope and pain equal billing without succumbing to theatrics. Farr teases out the conflicting emotions of a mother and daughter who are reunited after years apart, the fragility of a Vietnam War veteran on the brink of a PTSD flashback, and the guilt a man feels over his father's long-ago sins. Farr's presence melts into the background, allowing the stories themselves to take center stage. This is an audiobook to get lost in. C.B.L. Winner of AudioFile Earphones Award � AudioFile 2017, Portland, Maine