Middle of Nowhere

June 1, 2012

Gr 5-8-When 12-year-old Curtis's mother leaves him and his five-year-old brother, Artie, without warning, Curtis does everything he can to prevent Social Services from finding out. However, he soon discovers that he has an ally: a crotchety elderly neighbor who needs his help as well. Mrs. Burt takes the boys from their rundown apartment to a remote country cabin where Curtis learns about wilderness living, and Artie's allegiances waver. Smooth writing, appropriate pacing, well-chosen details, and a well-crafted sense of place make this book an easy read, particularly in the second half where readers learn about day-to-day life in a remote wilderness and find themselves cheering for the narrator's courage and determination. Curtis's convincingly reasonable voice makes it almost possible to overlook various plot flaws: his utter lack of suspicion or curiosity, or sense of moral dilemma. For a less-problematic hiding-from-social-workers offering, readers might prefer Jennifer Richard Jacobson's Small As an Elephant (Candlewick, 2011), or Traci L. Jones's Silhouetted by the Blue (Farrar, 2011).-Rhona Campbell, Washington DC Public Library

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March 15, 2012
A mother who disappears, two brothers left alone and a seemingly kindly neighbor make up the ingredients of this unsuccessful story about troubled families. Eleven-year-old Curtis has always helped care for his little brother while their mother works and attends school. Now she has not come home, rent is due and food is running out. Haunted by memories of a horrible foster-care family with whom he stayed the first time his mother left him, Curtis fears that he will be separated from his little brother. Then strange but kindly Mrs. Burt, who lives across the street, offers money and meals. When she takes them to a remote lakeside cabin in British Columbia for the summer, Curtis is slowly drawn into this brave new world of chopping wood, building an outhouse and fishing. In truth, Mrs. Burt has "absconded" with the children because she mourns her son who drowned in the lake 40 years ago. Curtis' mother has not run off but has been badly injured and is lying in a coma. In a few pages of the finale, the narrative flow abruptly wraps up, leaving too many loose ends and unanswered questions. Curtis' first-person narration necessarily limits readers' access to the puzzle, and his easy acceptance of the big reveal strains credulity. The elements of a good story are present, but its telling lacks resonance, character development and depth of understanding. (Fiction. 8-12)

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