The Prince and the Pauper

Mark Twain's 1881 tale recounts the switched identities of young beggar Tom Canty and Edward, Prince of Wales. The fable resonates with today's youngsters who dream of the lives of pop stars, athletes, and even royalty. Kenneth Jay does a fine job of portraying characters who step from the streets and court of Tudor London. His voice is clear and distinct with the accents of the different social classes. His Cockney sounds real enough for American ears without being so thick it's hard to understand. As usual, the Naxos music selections add a nice tone. Here's a fine rendition of one of Twain's best-loved stories. R.F.W. (c) AudioFile 2002, Portland, Maine

October 4, 1999
Made less satirical than Mark Twain's classic and simplified for younger readers, this retelling is still a lively romp. A beggar and a prince look so alike that they change places but then cannot immediately switch back. Mayer's (The Unicorn and the Lake) adaptation is serviceable if not sparkling; she retains all the key scenes of the story but flattens Twain's archaisms. While some of the original's sophisticated humor gets lost in the translation, much of it remains. For example, when Edward, the prince, tries telling pauper Tom's parents that he is really the Prince of Wales, Tom's mother responds, "Oh, poor Tom, it's all those books you read that's done this to you." And in court, when Tom is given a finger bowl, he drinks from it, announcing, "This is a very flavorless soup." Lippincott (Bruce Coville's Magic Shop series) vibrantly renders the ragged features of the paupers, and his tableaux are full of life. His palace scenes are ornate, light-filled watercolors of splendor in which the boys' homely, toothy faces seem like the only real and honest things. For readers not yet ready for Twain, this version, like its model, will make them think about their places in the world. Ages 7-up.

[Editor's Note: The following is a combined review with ANNE OF GREEN GABLES.]--Imagination is key to both these classics. Young Anne ("Anne with an e"), adopted into a Prince Edward Island household, uses her imagination and determined spirit to fill her world with hopes and aspirations. And the "dreamings and readings" of the pauper Tom Canty set off the cascade of mistaken identities that comprise Twain's famous tale. The St. Charles Players offer amusing adaptations of these stories with accessible, appealing performances. Here is family listening to entertain different ages and interests. The casts are a bit uneven, but each has some outstanding roles. These are not sophisticated productions, but the spirit of these classics is undaunted--like Anne of Green Gables herself. R.F.W. (c) AudioFile 2002, Portland, Maine