The Red Book

September 13, 2004
Lehman's (Moonfall
) ink-and-wash panels show snow falling on a drab city. The square angles of the buildings counter the rounded doll-like features of a girl walking along the street; the delicate blues and reds of her clothes temper the grays of the city. The girl spies a red book sticking out of a snowbank. Once at school, she peeps into her treasure. The book's pictures show successively closer views of a tropical paradise. Green islands on a map loom, a single beach comes into focus, and a small black point grows to become a boy. As she watches, the boy finds a red book just like hers. But when he opens his, he sees a panorama of a city, a closer view of some windows and, at last, the girl in her classroom. Now the boy and girl can see each other; they stare in surprise, then smile. After school, the girl buys a bunch of balloons and sets sail for the boy's island. She drops the red book as she ascends; but it turns out she doesn't need the book to reach him. Next, a stranger on a bicycle picks up the girl's book and pedals away, glancing back with suspicion. It's the only moment that disturbs the book's otherwise perfect equilibrium, in which summer mirrors winter, two children join hands across a great distance, and the tropics provide a refuge from civilization. As visually uncluttered as it is conceptually rich, Lehman's red book is a little treasure of its own. Ages 4-8.

Starred review from November 1, 2004
K-Gr 6-This perfectly eloquent wordless book tells the complex story of a reader who gets lost, literally, in a little book that has the magic to move her to another place. On her winter-gray walk to school, a young girl spies a book's red cover sticking out of a snowdrift and picks it up. During class, she opens her treasure and finds a series of square illustrations showing a map, then an island, then a beach, and finally a boy. He finds a red book buried in the sand, picks it up, opens it, and sees a sequence of city scenes that eventually zoom in on the girl. As the youngsters view one another through the pages of their respective volumes, they are at first surprised and then break into smiles. After school, the girl buys bunches of helium balloons and floats off into the sky, accidentally dropping her book along the way. It lands on the street below and through its pages readers see the girl reach her destination and greet her new friend, and it isn't long before another child picks up that magical red book. Done in watercolor, gouache, and ink, the simple, streamlined pictures are rife with invitations to peek inside, to investigate further, and-like a hall of mirrors-reflect, refract, repeat, and reveal. Lehman's story captures the magical possibility that exists every time readers open a book-if they allow it: they can leave the "real world" behind and, like the heroine, be transported by the helium of their imaginations.-Kathy Krasniewicz, Perrot Library, Old Greenwich, CT

Copyright 2004 School Library Journal, LLC Used with permission.

October 1, 2004
PreS-Gr. 2. In this wordless mind trip for tots, Lehman develops a satisfying fantasy in a series of panels framed with thick white borders. The effect is of peering through portals, an experience shared by the characters as they independently stumble across enchanted red books that provide them with a videophone-like connection. Though wordless picture books often seem to be the province of fine artists indulging in high-concept braggadocio (as in Istvan Banyai's 1995 " Zoom"), Lehman's effort ensures child appeal with an unaffected drawing style and a simple, easy-to-follow story line about a friendship forged between a city girl and a faraway island boy. The message about the transporting power of story will moisten the eyes of many adult readers, but children will most appreciate the thought-provoking visuals, in which characters' actions influence the course of their own storybook narratives--likewise affecting the larger "red book," cleverly packaged to mimic the shape and color of its fictional counterpart. Ideal for fueling creative-writing exercises.(Reprinted with permission of Booklist, copyright 2004, American Library Association.)