Midnight is a Lonely Place

July 4, 1994
A remote corner of Essex, England, becomes the site for some bone-chilling events in Erskine's ( Lady of Hay ) latest supernatural suspense yarn. Author Kate Kennedy, broke and homeless after splitting up with her lover, rents an isolated country cottage to write a biography of Lord Byron. Her work is interrupted, however, by a sullen teenage girl excavating an old Roman gravesite and by Kate's landlord, a temperamental artist who resents her intrusion into his cottage. These two plot to scare Kate off with tales of ghosts, but she dismisses their stories--until weird noises fill the night, gremlins invade her computer and a vandal raids her dwelling. Soon the true culprits are revealed, as the ghosts of Marcus Severus Secundus and his wife Claudia come to life. Marcus is determined to safeguard a centuries-old secret at the gravesite, while Claudia is equally set on exposing her husband's evil deed. The ensuing spectral possession and the ghosts' struggle for supremacy will keep readers on the edge of their seats, though frequent changes in point-of-view may prove confusing. Sadly, the novel's ending is somewhat of a letdown. Readers would probably prefer a rip-roaring confrontation between good and evil over Erskine's reliance on a time-worn climactic cliche.

Ancient Rome and modern England clash along a remote Essex beach in this gripping tale of romance, history, mystery and the supernatural. Lenska's versatile narration holds the listener spellbound from the first chapter to the last word. Strategically timed use of an echo effect distinguishes between the parallel story lines of past and present. Well-defined characters, mesmerizing plot twists and an excellent delivery combine to make Midnight a compelling offering. The dominant role of teenaged siblings may also attract young listeners. B.L.W. (c)AudioFile, Portland, Maine