
Splitting
- اطلاعات
- نقد و بررسی
- دیدگاه کاربران
نقد و بررسی

Starred review from May 29, 1995
Divorce is one kind of split; adding an alternate personality is another. Angelica Rice experiences both sorts in this highly improper sendup of proper English society as Weldon (The Life and Loves of a She-Devil) inventively tweaks stereotypical doting wives, vengeful-goddess types, efficient office workers, saucy sexpots and--per usual--men, by giving Angelica distinct personalities corresponding to each. As a young woman, Angelica isn't entirely neurotic; after a career as a 17-year-old pop star (of ``Kinky Virgin'' song fame), she weds country gentleman Sir Edwin Rice. Although her well-bred neighbors conduct unseemly affairs in classic comedy-of-manners fashion, Angelica remains loyal to Sir Edwin and styles herself as the prim ``Lady Rice.'' But when, in her 30s, her 16-year marriage founders, Lady Rice experiences the reemergence of her earthy ``Angelica'' self, as well as the arrival of the pragmatic ``Jelly White.'' Lady Rice is perfectly appalled when a lusty fourth identity seduces her chauffeur, and then a fifth self--a tough guy named ``Ajax''--threatens to thrash Sir Edwin. Angelica, we learn, is not so much split as ``perforated''--her personalities can cooperate with or challenge each other's actions. Meanwhile, Weldon again proves herself one of a kind, a smart satirist whose playful exploration of psychology reveals society's fault lines and fractures. 50,000 first printing; major ad/promo; author tour; rights: Ed Victor Ltd.

Is the stylish, schizoid heroine who splits from the philandering nobleman the author in disguise? Novelist Fay Weldon writes mordantly in this suspected roman ˆ clef of estrangement and divorce among the British over-privileged. The package refers to Weldon's "wickedly funny novels, full of razor-sharp wit," but one finds little humor or wit in Jenny Sterlin's narration. Always measured, often ponderous, Sterlin reads with a world-weariness that leaves the listener wondering where the jokes are supposed to be. Without them, the book becomes a droning, grotesque caricature of the idle rich. Y.R. (c)AudioFile, Portland, Maine
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