To Kill a Mockingbird

It's good to be reminded of the power wielded by this classic of American literature. As the introductory music fades and Sissy Spacek begins her narration, we immediately enter the small town in the Deep South where all the timeless issues of kindness and cruelty, inclusion and prejudice are played out in a story told by a little girl named Scout. Instead of offering a range of accents, Spacek reads the story entirely in her own, or Scout's, voice. The choice works, for the book is written from Scout's point of view, and Spacek has just the right level of Southern accent for easy listening. This is an unforgettable story well told. A.C.S. (c) AudioFile 2006, Portland, Maine

Starred review from September 4, 2006
Lee's beloved American classics makes its belated debut on audio (after briefly being available in the 1990s for the blind and libraries through Books on Tape) with the kind of classy packaging that may spoil listeners for all other audiobooks. The two CD slipcases housing the 11 discs not only feature art mirroring Mary Schuck's cover design but also offers helpful track listings for each disk. Many viewers of the 1962 movie adaptation believe that Lee was the film's narrator, but it was actually an unbilled Kim Stanley who read a mere six passages and left an indelible impression. Competing with Stanley's memory, Spacek forges her own path to a victorious reading. Spacek reads with a slight Southern lilt and quiet authority. Told entirely from the perspective of young Scout Finch, there's no need for Spacek to create individual voices for various characters but she still invests them all with emotion. Lee's Pulitzer Prize -winning 1960 novel, which quietly stands as one of the most powerful statements of the Civil Rights movement, has been superbly brought to audio. "Available as a Perennial paperback. (Aug.)" .