Mistress of the Art of Death
Mistress of the Art of Death Series, Book 1
گزارش تخلف
- اطلاعات
- نقد و بررسی
- دیدگاه کاربران
نقد و بررسی
Rosalyn Landor narrates a complex story that merges history, mystery, human rights, feminism, and a touch of romance. Adelia, who is educated in forensics of the period, is sent with a Jewish detective and Muslim eunuch bodyguard to clear the Jews of Cambridge, England, who are accused of murdering Christian children. Landor navigates the tension and tenderness of a headstrong Italian woman caught between cultures and the clash of science and religion. Landor steers listeners skillfully through Adelia's desire to understand what has taken place and her horror at the deeds of a mass murderer. Landor's portrayal reflects Adelia's struggle to maintain scientific detachment in the face of disease, death, and her attraction to a Crusader whom she suspects. S.W. (c) AudioFile 2007, Portland, Maine
December 4, 2006
Had Ellis Peters's Brother Cadfael been born a few decades later, he might have found a worthy associate and friend in Dr. Vesuvia Adelia Rachel Ortese Aguilar of Salerno, a short and short-tempered medieval coroner hired in secret by King Henry II to find out who's behind the horrific murders of Christian children in Cambridge, England. Prominent local Jews stand accused; Henry wants them freed, mostly for the sake of their tax revenue. As Adelia examines the children's bodies and gets to know the people of Cambridge, she has no trouble assembling a long list of suspects, but she encounters considerable difficulty trying to narrow it down, a struggle in which the reader gladly joins her. Not all of the plot twists are surprising and the romantic subplot is an unnecessary afterthought, but Franklin (City of Shadows
) has developed a skillful blend of historical fact and gruesome fiction that's more than sufficient to keep readers interested and entertained.
دیدگاه کاربران