Catch-22

In Jim Weiss's performance of Heller's uproarious WWII novel, the characters are practically cartoons. That is no insult, but the highest admiration for Weiss's choices and his verve. Heller's characters are meant to be absurdities. His U.S. Army is peopled with men of outlandish traits; they're monumentally corrupt, buffoonish, overweaning characters whose self-involvement places the actual fighting men, including the novel's recalcitrant hero, Yossarian, into the most ghastly jeopardy. Weiss's exuberance never lets up. He captures the comic lunacy of Heller's genius and--even more impressively--intercuts its moments of sheer terror and despair to devastating effect. It is precisely the bravura performance that this, arguably the greatest war novel ever written, deserves. M.O. Winner of AudioFile Earphones Award (c) AudioFile 2003, Portland, Maine

Starred review from April 30, 2007
It would be difficult to imagine richer material for an audiobook reader, comedically speaking, than Joseph Heller’s classic novel of wartime madness. Sanders is the lucky actor chosen to read Heller’s masterpiece, and he does well by it, proceeding gamely through the novel’s staggering array of comic set pieces and deliriously woozy dialogue. Heller’s humor is straight-faced, requiring little more than a steady, sure voice, and Sanders offers just that. Line by line, joke by joke, Sanders reels through the marvelous phantasmagoria of Heller’s World War II, tongue planted firmly in cheek. Caedmon’s impressive package includes a 1970s-era recording of Heller reading selections from his book. Heller is a delightful contrast to Sanders, his slight lisp accentuating a marvelous Brooklyn accent. Heller reads as if with cigar perched on his lip and turns his novel into an extended borscht belt comic’s riff.