Those We Left Behind

Those We Left Behind
افزودن به بوکمارک اشتراک گذاری 0 دیدگاه کاربران 5 (1)

مشارکت: عنوان و توضیح کوتاه هر کتاب را ترجمه کنید این ترجمه بعد از تایید با نام شما در سایت نمایش داده خواهد شد.
iran گزارش تخلف

فرمت کتاب

audiobook

تاریخ انتشار

2016

ناشر

W F Howes

شابک

9781510028166
  • اطلاعات
  • نقد و بررسی
  • دیدگاه کاربران
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نقد و بررسی

Publisher's Weekly

Starred review from July 13, 2015
At the start of this searing, deeply affecting psychological thriller set in Belfast from Edgar-finalist Neville (Ratlines), 19-year-old Ciaran Devine (aka the schoolboy killer) is released from prison after serving seven years for the murder of his foster father, David Rolston. Det. Chief Insp. Serena Flanagan always believed that Ciaran, then 12, confessed in order to protect his two-year-older brother, Thomas, who was convicted as an accessory and alleged that their foster father sexually abused Ciaran. Try as she might, Serena couldn’t break Thomas’s powerful hold on Ciaran. Now Thomas is also free, and Serena hopes she can put the case behind her once and for all. Meanwhile, Paula Cunningham, Ciaran’s probation officer, is concerned with the media’s rabid obsession with her new charge, as well as Ciaran’s utter devotion to Thomas. Lurking on the sidelines is Daniel Rolston, David’s biological son, who is set on revenge, certain that the wrong Devine brother confessed. Paula and Serena are soon comparing notes as violence escalates around the brothers and secrets from the past come to light. Neville demonstrates once again that he’s a literary force to be reckoned with. Agent: Nat Sobel, Sobel Weber Associates.



AudioFile Magazine
It makes sense to have the dialogue in an audiobook rendered in a regional accent to give a sense of place. To have the entire text delivered in an accent so far from standard pronunciation that the listener can't follow the story does not. Stuart's previous Belfast (Ireland) novels have many audio fans, but Michelle Ferguson, new to the series, is here so busy pronouncing everything in dialect that the narrative gets lost. The two female protagonists, DCI Flanagan and probation officer Paula Cunningham, are not well distinguished from each other aurally, nor are the two murderous young brothers at the heart of Stuart's psychological puzzle, and the more minor characters never become real to us in Ferguson's rendering. B.G. © AudioFile 2016, Portland, Maine


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