The Terrible Privacy of Maxwell Sim

The Terrible Privacy of Maxwell Sim
افزودن به بوکمارک اشتراک گذاری 0 دیدگاه کاربران 5 (0)

مشارکت: عنوان و توضیح کوتاه هر کتاب را ترجمه کنید این ترجمه بعد از تایید با نام شما در سایت نمایش داده خواهد شد.
iran گزارش تخلف

فرمت کتاب

audiobook

تاریخ انتشار

2019

نویسنده

John Heffernan

شابک

9780241987179
  • اطلاعات
  • نقد و بررسی
  • دیدگاه کاربران
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نقد و بررسی

AudioFile Magazine
Coe's novel is perfect for audio. Max is newly separated from his wife, unable to talk to his father, and depressed. He may have 70 friends on Facebook, but that just emphasizes his loneliness and lack of real friends. So Max talks--a lot--to himself or to the GPS (he names it "Emma") in his car. While flying from Australia to Singapore, Max launches into a monologue that is so long in its desperate attempt to connect with someone that he doesn't notice he has literally talked his seatmate to death. The gifted Colin Buchanan adapts his rhythm and tone to fully realize Max's loneliness and fear. GPS has never been so funny as it is with Buchanan's calm and feminine "Emma" telling Max to "continue on the current road." A.B. (c) AudioFile 2010, Portland, Maine

Publisher's Weekly

January 31, 2011
Coe (The Rotters' Club) broadly satirizes the disconnectedness of modern life with the story of Maxwell Sim, who has 70 Facebook friends but no one he can turn to when his wife and daughter leave him. After a trip to Australia to reconnect with his estranged father leads nowhere, Trevor, one of Max's few real friends, offers him an unusual gig: drive a Prius to the northernmost tip of the British Isles as part of a promotion for a startup eco-toothbrush company. Max takes a meandering route that allows him to visit his ex-wife, check in on his father's long-empty apartment, and pay a visit to the parents of his childhood friends. He also develops a romantic fixation on the voice coming from his GPS, which he names Emma. True connection is elusive: Max gains insight to his marriage, but only after using a fake identity to befriend his ex-wife online; haunting incidents from his teenage years come into focus belatedly, and the clarity he finally achieves comes at the prompting of a stranger. Coe has a lot of fun skewering the way technology and social media have become buttresses of society, but the antic plot and unfortunately precious conclusion water down the thoughtful points.




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