Where the Long Grass Bends

January 19, 2004
Vaswani shows impressive range and a striking command of poetic imagery in this debut collection, which features 13 stories dealing mostly with the Indian and Asian immigrant experience. "Sita and Mrs. Durber" describes a British art teacher's struggles to deal with a formidably talented Malaysian kindergartener, whose brilliant drawings reveal uncomfortable truths. "Five Objects in Queens," in which an Indian family uses familiar references from their homeland to help them acclimate to life in New York, falls closer to the terrain carved out by writers like Bharati Mukerjee. On the experimental side, "An Outline of No Direction" is a fascinating, unconventional travelogue in list form that skewers and plays up American stereotypes ("In the South, I ride a roller coaster over Dolly Parton's bosom"). Vaswani's conceits are occasionally murky and vague—"Domestication of an Imaginary Goat," for example, labors with its analogy of a goat as a symbol of a couple's relationship, while "Procession at the Tomb of Sayyed Pir Hazrat Baba Bahadur Saheed Rah Aleh" overreaches in describing the role of spirits in a series of brief episodes. Several other stories are noticeably overwritten, as Vaswani falls victim to the tendency to go for the literary home run and descends into florid, overblown avant-garde clichés. But her talent shines through despite the inconsistencies and missteps, and her distinctive voice augurs well for future efforts. Author appearances in New York and Los Angeles.

November 15, 2003
This collection of 13 short stories-half of which have been previously published in various literary journals-often features characters of Indian origin who may be a reflection of Vaswani's own blended Indian and Irish heritage. A teacher in the graduate writing program at Spalding University, she excels in the title piece, which concerns a young woman of Indian and British origin in search of her identity; in "Procession at the Tomb of Sayyed Pir Hazrat Baba Bahadur Saheed Rah Aleh," which takes a fascinating look at individuals possessed by spirits; and in "Sita and Mrs. Durber," which focuses on the relationship between a kindergarten teacher and her young student, a gifted artist. However, Vaswani's writing is as diverse as she is, with pieces such as "Bing-Chen" depicting a man of Chinese and German American origin and "Blue, Without Sorrow," devoted to characters with Mexican origins. Since much of Vaswani's writing is experimental and as short fiction mostly open ended, this collection is likely to be appreciated by more literate rather than general readers. Recommended for academic libraries and those public libraries with specialized collections in literature, as well as those developing collections with works by authors of Indian origin.-Shirley N. Quan, Orange Cty. P.L., Santa Ana, CA

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