Cézanne's Quarry

March 17, 2008
Could Paul Cézanne be a killer? That’s one of the disturbing prospects confronting novice magistrate Bernard Martin in August 1885 as he starts to investigate the murder of Solange Vernet, a recent transplant from Paris whose brutalized remains are discovered near a favorite haunt of the painter’s outside Aix, in Pope’s provocative debut. Was the freethinking beauty with the flame-colored locks slain by her lover, self-professed Darwinian scholar—and likely scam artist—Charles Westerbury, as Martin’s boss contends, or by a smitten Cézanne? Martin quickly recognizes that the case could be a career maker—or breaker—if he antagonizes the artist’s powerful family without overwhelming evidence. Pope animates her canvas with plenty of vivid period detail, but subplots, romantic and otherwise, dilute the suspense; later she telegraphs what should have been a surprise ending. Still, Francophiles and history buffs will find much to like.