To Be Sung Underwater

To Be Sung Underwater
افزودن به بوکمارک اشتراک گذاری 0 دیدگاه کاربران 4 (1)

مشارکت: عنوان و توضیح کوتاه هر کتاب را ترجمه کنید این ترجمه بعد از تایید با نام شما در سایت نمایش داده خواهد شد.
iran گزارش تخلف

فرمت کتاب

audiobook

تاریخ انتشار

2011

نویسنده

Susan Boyce

شابک

9781611136791
  • اطلاعات
  • نقد و بررسی
  • دیدگاه کاربران
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نقد و بررسی

Publisher's Weekly

April 4, 2011
Judith Whitman is 44, questioning her life, and thinking about the hometown boy she jilted almost 30 years before in McNeal's affecting second novel (after Goodnight, Nebraska). At Stanford, Judith had met the "older, urbane" Malcolm and they married, moved to Los Angeles, and built an enviable life. Now she's bored with her suave, unfaithful banker husband, guilty about her lack of maternal feelings for her teenage daughter, and overburdened and distracted at her job editing a "respected television drama." McNeal's agile prose manages to render Judith sympathetic, though she's not an easy character to like. Flashbacks evoke her youth in Vermont, and her decision, when her parents separate and her mother becomes neglectful, to move to Nebraska to live with her father. When Judith, as a high school senior, falls in love with Willy, a local intelligent and sensitive carpenter, she imagines a simple life in the town of Rufus Sage, but after she leaves for college the relationship unravels. Despite a slow start and dialogue heavy on aphorisms, McNeal succeeds with his obvious affection for the daily rhythms of life in Nebraska and his sensitive exploration of marital stresses and psychological accommodations, in addition to a moving surprise denouement.



AudioFile Magazine
Middle-aged Judith Whitman has a dream career as a film editor, a husband, and a teenage daughter. Nonetheless, she finds herself drawn back to her past as she remembers her first love, Willy Blunt, and decides to track him down. Narrating in a well-modulated alto, Susan Boyce gives Judith a calm, mature voice as she examines her life. Boyce also provides slight variations in tone and pitch for some of the dialogue. Most of the story is told from Judith's point of view, and the slow, even pace Boyce employs matches Judith's older self to perfection as well as her reflections on her younger self. The downside is that her pace doesn't serve to drive the story forward. As a result, the story of Judith and Willy is one that must be savored. E.N. (c) AudioFile 2011, Portland, Maine


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