Ghost Dance

Ghost Dance
افزودن به بوکمارک اشتراک گذاری 0 دیدگاه کاربران 4 (1)

مشارکت: عنوان و توضیح کوتاه هر کتاب را ترجمه کنید این ترجمه بعد از تایید با نام شما در سایت نمایش داده خواهد شد.
iran گزارش تخلف

فرمت کتاب

ebook

تاریخ انتشار

2012

نویسنده

Mark T. Sullivan

شابک

9781453268780
  • اطلاعات
  • نقد و بررسی
  • دیدگاه کاربران
برای مطالعه توضیحات وارد حساب کاربری خود شوید

نقد و بررسی

Publisher's Weekly

June 28, 1999
Like his most recent (and most successful) thriller, The Purification Ceremony, Sullivan's fourth novel unfolds in rural America and features a strong Native American theme. There the resemblance ends, for there's little of Purification's eerie magic in this frustratingly roundabout suspense story tracking the sins of a dead priest in a Vermont town haunted by cross-cultural demons. Patrick Gallagher, a cultural anthropologist and filmmaker from Brooklyn, has come to the isolated Green Mountain community of Lawton to produce a documentary on an obscure parish priest who is being considered for sainthood. Father D'Angelo had healed 14 people during the 1918 Spanish influenza epidemic, before dying; his last words: "Pray for me. I am one of the damned!" Gallagher rents a cabin from beautiful recovering alcoholic Andromeda ("Andie") Nightingale, who happens to be a sergeant in the state police, and goes flyfishing--a means of distraction on the day he's turning 40 and his ex-wife is getting remarried. One "fish" he hooks turns out to be the mutilated corpse of a local dentist. This is the first of a string of murders that all point to a local sociopath calling himself Charun--a variant of the Greek Charon--who leaves notes alluding vaguely to Greek and Roman mythology and the Lawton river. The discovery of the journal of a Sioux woman describing the significant soul-releasing death ritual of the Ghost Dance holds clues to the murders, as does the ancestry of a disturbed former Lawton resident. Gallagher, who begins to have disturbing mystical dreams, aids Andie as she investigates--and tries not to fall off the wagon--and they tentatively embark on a love affair. Sullivan, however, allows little emotional engagement with these characters. Moreover, the plot veers wildly, with the Father D'Angelo documentary element introduced and then quickly abandoned until two-thirds of the way through, when it is hastily and improbably reactivated. The narrative suffers from inflated prose ("Are you afraid now?" the villain "wickedly" asks a damsel in distress), and even solid background on the Ghost Dance lore of the Sioux doesn't save it from hokum.




دیدگاه کاربران

دیدگاه خود را بنویسید
|