Fudoki
Fox Woman Series, Book 2
- اطلاعات
- نقد و بررسی
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نقد و بررسی
Starred review from September 22, 2003
Johnson's mesmerizing second fantasy based on Japanese myth surpasses her inspired debut, The Fox Woman (2000). As the half-sister, aunt and great-grandaunt of the last three Japanese emperors, respectively, the princess Harueme has lived a long life of privilege at court, but now she is dying and must go to a convent. While sorting through her belongings, she comes across several blank notebooks, and a "blank notebook demands words." To fill them, Harueme spins the tale of a nameless tortoiseshell cat living in a ramshackle estate in the capital. When a fire raging through the city destroys the estate, the cat is the only survivor. Her aunts and cousins having been killed, she is bereft of her fudoki—the chronicle of all the female cats who have inhabited her home. Homeless and nameless, she sets out on a journey that will take her to humanity and back, and earn her a name—both as the Cat Who Survived and as Kagaya-hime, woman warrior. The author interweaves the story Harueme tells with Harueme's own, equally absorbing tale. To call Johnson a stylist is to call Michael Jordan a basketball player—each word and phrase glitters gemlike on the page. This tale of life and dying, of love and humanity, soars with feline grace. (Oct. 8)Forecast: Routine marketing and a dearth of supportive blurbs are hardly auspicious. It may take important award nominations to put this deserving author on the map.
October 15, 2003
The successor to " The Fox Woman" (2000) is set in the same Japanese-myth-influenced universe and just as charming. It is the story of a tortoiseshell cat who has lost her (feline) family in a fire in the imperial capital. Now only she knows the tales and traditions of her clan. So she sets off on a journey, during which she encounters a " kami" of the roads, who gives her a new shape, that of a human, without removing her feline soul. The cat-souled woman becomes the warrior Kagaya-hime amid the intrigues of early twelfth-century Japan. Her story is a tale within a tale, for it is framed by the story of Princess Harueme, who tells the cat's tale, and whose life is hedged about by the restrictions of the imperial court. Now, old and dying, Harueme finds, first, relief, and then, renewed interest in the world as she sorts through her possessions and her memories. And in the end, Kagaya-hime sends the princess on a journey.(Reprinted with permission of Booklist, copyright 2003, American Library Association.)
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