The Regulators

Do NOT listen to this book alone at night, at least not beyond the first half-hour of tape. After that pleasant, scene-setting portrait of summer in suburbia, The Regulators turns terrifying, and the horror doesn't let up until the very last sentence. Kate Nelligan resists the temptation to dramatize the many characters in this complex story, and her unemotional telling contributes even more to the terror of the tale. Nelligan's detached, professional narration is well supplemented by chilling special effects at the beginnings and ends of some chapters. These effects, including music mutations; storm sounds; and chilling, almost-animal cries, elevate the book to a near-movie experience. R.P.L. Winner of AUDIOFILE Earphones Award (c)AudioFile, Portland, Maine

Starred review from October 2, 1996
Why revive the Bachman byline more than a decade after Stephen King was found lurking behind it? Not for thematic reasons. This devilishly entertaining yarn of occult mayhem married to mordant social commentary is pure King and resembles little the four nonsupernatural (if science-fictional) pre-Thinner Bachmans. The theme is the horror of TV, played out through the terrors visited upon quiet Poplar Street in the postcard-perfect suburban town of Wentworth, Ohio, when a discorporeal psychic vampire settles inside an autistic boy obsessed with TV westerns and kiddie action shows and brings screen images to demented, lethal life. The long opening scene, in which characters and vehicles from the TV show Motokops 2200 (think Power Rangers) sweep down the street, spewing death by firearm, is a paragon of action-horror. The story rarely flags after that, evoking powerful tension and, at times, emotion. The premise owes a big unacknowledged debt to the classic Twilight Zone episode "It's a Good Life"; echoes of earlier Kings resound often as well--the psychic boy (The Shining), a writer-hero (Misery, The Dark Half), etc. But King makes hay in this story in which anything can happen, and does, including the warping of space-time and the savage deaths of much of his large cast. The narrative itself warps fantastically, from prose set in classic typeface to handwritten journals to drawings to typewritten playscript and so on. So why the Bachman byline? Probably for fear that yet another new King in 1996 in addition to six volumes of The Green Mile and Viking's forthcoming Desperation might glut the market. Maybe, maybe not. But one thing is certain: call him Bachman or call him King, the bard of Bangor is going to hit the charts hard and vast with this white-knuckler knockout. Main selection of the Literary Guild, Doubleday Book Club, Mystery Guild and Science Fiction Book Club.

May 15, 1996
Stephen King dusts off his nom de plume for this tale of the supernatural.