White Hunters

Say the name Denys Finch Hatton with an English accent like Whitfield's, and this listener is already seeing Africa. Karen Blixen's lover, the aristocratic white hunter played by Robert Redford in OUT OF AFRICA, was actually quite bald. While perhaps more complete than the casual listener requires, the book stunningly recreates that lost Eden of gallantry, endurance, and sudden death: ". . . the four-hundred- pound cat knocked Pullman over like a sack of cotton, and his rifle flew from his grasp." Teddy Roosevelt, Winston Churchill, and the Prince of Wales all have cameos, but true nobility here lies with the big five: Elephant, Lion, Leopard, Buffalo and Rhinoceros. B.H.C. (c) AudioFile 2000, Portland, Maine

May 31, 1999
A second-generation Kenyan who has professionally hunted big game for more than 30 years and is an honorary Uganda National Park warden, Herne did exhaustive archival research and conducted countless interviews to produce this encyclopedia of gore and glamour. From roughly 1890 to 1970, American and European aristocrats, movie stars and business tycoons converged on East Africa, hiring professional white hunters to lead them on lengthy, luxurious shooting expeditions. Theodore Roosevelt's 1909 safari lasted for months and employed 500 porters. The early generation of white hunters set the pace for a hard-drinking, bed-hopping lifestyle. Later, Bror Blixen, Isak Dinesen and Denys Finch-Hatton carried on just as flamboyantly as their screen counterparts in Out of Africa. In turn-of-the-century Nairobi, inebriated ladies rode their ponies up steps into bars. But the dangers were real, and Herne details various narrow escapes and deaths by mauling. Typically colorful is the story about the filming of King Solomon's Mines, during which a bull elephant rushed the cameras and was stopped by a bullet. The relieved crew and actors posed for pictures on the animal, which disappeared later that day, never to be found again. Heavier on anecdotes than on overview, Herne's book skips discreetly over all the cultural and political ironies of Europeans coming to Africa to shoot at its natural resources. It will, however, reward armchair hunters with a rich portrait of a magnificent landscape, its animal inhabitants and some of its most reckless human interlopers.