The Lies of Locke Lamora

Young thief and former slave Locke Lamora has learned to cheat death in this strange fantasy world so unlike our own. But he realizes he's over his head when he finds himself trying to con three powerful men, each of whom would kill him without a second thought. With equal parts OLIVER TWIST and HARRY POTTER, and with an unfortunate tendency to pepper the novel with modern-day profanity, Scott Lynch has created a fascinating adventure of a young man doing what he can to survive. Michael Page switches characters with incredible ease, giving the hero distinctive voices. Page ratchets up the suspense in the story with his engaging dialogue. M.S. Winner of AudioFile Earphones Award (c) AudioFile 2009, Portland, Maine

May 22, 2006
Life imitates art and art scams life in Lynch's debut, a picaresque fantasy that chronicles the career of Locke Lamora—orphan, thief and leader of the Gentlemen Bastards—from the time the Thiefmaker sells Locke to the faking Eyeless Priest up to Locke's latest con of the nobility of the land of Camorr. As in any good caper novel, the plot is littered with obvious and not-so-obvious obstacles, including the secret police of Camorr's legendary Spider and the mysterious assassinations of gang leaders by the newly arrived Gray King. Locke's resilience and wit give the book the tragicomic air of a traditional picaresque, rubbery ethics and all. The villain holds the best moral justification of any of the players. Lynch provides plenty of historical and cultural information reminiscent of new weirdists Steven Erikson and China Miéville, if not quite as outré. The only drawback is that the realistic fullness of the background tends to accentuate the unreality of the melodramatic foreground.