Old Gods Almost Dead
The 40-Year Odyssey of the Rolling Stones
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- نقد و بررسی
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نقد و بررسی
October 8, 2001
In 1985's bestselling The Hammer of the Gods: The Led Zeppelin Saga, rock biographer Davis shocked and entertained readers with the raunchy details of the band's backstage exploits. In this latest unauthorized biography, he once again details the "musical successes and personal excesses" but fails to offer any new insights into one of the world's greatest bands. (Stanley Booth's 1985 The True History of the Rolling Stones
covers much of the same ground). In the first bio on the Stones in more than a decade, Davis begins with the band's first big break as the intermission act at London's Marquee Club in 1962 and ends with their bloated global tours of the late 1990s. While Davis's pulpy narrative ("The smell of espresso is in the air, the smell of sex, the smell of suicide") provides an enjoyable recap and critique of the Stones' records and performances, he misses the most interesting aspect of their longevity. Namely, why do these middle-aged men, once embodying the very pinnacle of renegade youth, choose to keep on as mere shadows of their former selves? This refusal to move on, despite one uninspired disc after another, is the most fascinating part of the Stones' past 15 years. Rock critic John Strausbaugh's Rock 'Til You Drop: The Decline from Rebellion to Nostalgia
tackles the subject of has-been rockers in general and features Mick Jagger on the cover, but an account focused on the Stones' slide into irrelevance has yet to be written. 48 b&w photos not seen by PW. (On sale Nov. 6)Forecast:Despite its faults, this book will sell well to the Stones' many fans, as well as to nostalgic baby boomers.
December 20, 2000
Davis knows his stuff; he's been covering the Stones for 30 years.
Copyright 2000 Library Journal, LLC Used with permission.
November 1, 2001
Once an irresistible force, the Rolling Stones have long since become immovable objects--filthy rich, elderly travesties of their former selves. Davis sketches their changes, from blues purists disdainful of rock 'n' roll to R & B proselytizers to pop-music magicians to satanic rockers to media stars on a long downhill slide. He illuminates the strange case of founding Stone Brian Jones' death, raising the possibility of a deathbed confession by a known suspect. He limns six Stones and drug casualties, including founder-cum-roadie Ian Stewart, producer Jimmy Miller, actress Anita Pallenberg, and Marianne Faithfull, whose LSD-enhanced orgasms the song "She's a Rainbow" celebrates. Mick Taylor, interim guitarist between Jones and Ron Wood, is warmly recalled, and Ron Wood's descent into freebase bondage is detailed. Keith Richards' claim to have been in fine fettle at the height of his heroin addiction is seriously challenged, and Faithfull's decision to quit Mick Jagger's bed to become a squatter is justified. There's plenty about Jagger, too, but get the book anyway.(Reprinted with permission of Booklist, copyright 2001, American Library Association.)
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