House of War

Starred review from April 10, 2006
If there were nothing more to Carroll's book than its chronicling of the U.S. military's amassing of power and influence from WWII to the present, it would still be valuable history. But the National Book Award winner (An American Requiem
) makes the story something else altogether. "The lifetime of the Pentagon is my lifetime," he asserts, noting that the building had its dedication ceremony the week he was born; he also grew up playing in its maze-like corridors while his father worked as a high-ranking air force general. The nuclear dread that dominated the Cold War era thus plays out as personal and family drama, turning the book into " long-delayed conversation with father." It's strongest in its first half, where the development of atomic power and the turmoil of the Vietnam era hold the greatest personal significance for Carroll; later sections on the Reagan and Clinton eras are informative but less intimate. Carroll's approach can be poetic—he makes much, for example, of the coincidence that the Pentagon groundbreaking took place on September 11, 1941—but the emotional weight he brings to a Chomsky-like critique of American militarism results in an aggressively compelling history. Photos.

August 7, 2006
Carroll would make a perfect NPR morning-show host, his sensitive, low, smooth voice the perfect background noise for sleepy yuppies getting ready for work. Reading his own book, a study of the Pentagon's outsize influence on postwar American life, Carroll is soothing and inoffensive. His reading is so uninflected that it veers on indistinctness or narcolepsy. Early-morning drivers should probably avoid listening to Carroll, for fear of being lulled into sleep. And yet, careful attention reveals a fine, subtle reading. Carroll lets his words speak for themselves, avoiding underlining or emphasizing specific words or phrases in his text. For some readers, that might be a recipe for being driven crazy; for others, it will allow for an uninfluenced reading of the text, whereby readers can listen as they might read—picking out their own points of emphasis. A little more emotion, though, probably wouldn't have hurt. Simultaneous release with the Houghton Mifflin hardcover (Reviews, Apr. 10).