To Die but Once

Once again, narrator Orlagh Cassidy steps into the formidable shoes of Maisie Dobbs, who is asked to look into the disappearance of the son of a local pub owner. Winspear makes palpable the emotional world of 1940s England, where families are still healing the wounds of WWI and now facing the horrors of sending sons off to WWII. Cassidy's accent, tone, and pace are well tuned to Maisie's strong and empathetic character. Cassidy draws on her full palate of British accents to differentiate a large cast of secondary characters, male and female, old and young. Listeners new to the series may be challenged to understand the complex relationships but be inspired to go back to the beginning of the series. E.Q. � AudioFile 2018, Portland, Maine

January 1, 2018
The possible disappearance of a teenage boy drives bestseller Winspear’s so-so novel set in 1940 Britain, her 14th featuring London investigator and psychologist Maisie Dobbs (after 2017’s In This Grave Hour). Before the war, 15-year-old Joe Coombes worked as an apprentice for a painting and decorating company that the British government retained to paint RAF facilities with a new kind of fire-retardant. When Joe’s family doesn’t hear from him for several days, his father, publican Phil Coombes, asks Maisie to trace the boy. His son seemed different during their last visits, Phil tells her. Maisie soon learns that Joe took a fatal fall onto a railway track, but the reader already knows, via the prologue, that he was bludgeoned to death. The whodunit story line is often secondary to the larger historical picture—in particular, the British response to the retreat from Dunkirk and the threat of German invasion—and to developments in Maisie’s private life. A gratuitous closing contrivance doesn’t help. Still, Winspear fans will find much to like. Agent: Amy Rennert, Amy Rennert Agency.

January 15, 2018
Britain teeters on the brink as World War II ramps up.In May 1940, Maisie Dobbs--nurse, spy, psychologist, and enquiry agent--is caught up in the strange death of a local lad. Maisie's life has been fraught with difficulty since the death of her husband in a plane crash and her subsequent miscarriage. She's compensated for her anguish by plenty of daring deeds, including working as a nurse in the Spanish Civil War and as a spy in Hitler's Germany. Just as she's seeking to adopt Anna (In This Grave Hour, 2017, etc.), a refugee child living in her home in Kent, Maisie's approached by local publican Phil Coombes, who's desperately worried about his son Joe. Although only 15, he's apprenticed to Yates and Sons, painters and decorators, and has been traveling the country applying a fire-retardant paint to air-base buildings. The paint has apparently given him massive headaches, and now he's vanished. Maisie, who still has enough gas coupons to run her car, agrees to try tracking him down while her assistant, Billy Beale, checks out Yates. When Joe is found dead on the railroad tracks, the police think he probably jumped, but Maisie is suspicious even before the coroner finds a strange lesion in his brain. In truth, there's something a bit off about the whole Coombes family. Their standard of living is a cut above what Maisie would expect their pub to provide. And when she discovers that Mrs. Coombes is the sister of a well-known and dangerous criminal, she becomes convinced that the government paint contract involves a nasty scam and uses all her contacts to search for the truth. Her life is made even more stressful when her godson and a friend steal off to Dunkirk to help rescue the desperate remnants of the British army trapped between the advancing Germans and the English Channel.In addition to providing a very good mystery, Winspear does a smashing job describing the bravery exhibited by everyday Britons as the fear of invasion becomes ever more real.

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February 1, 2018
In the latest Maisie Dobbs mystery (the fourteenth in the series), a young man working on a secret government contract vanishes. Maisie, the English psychologist and private investigator, soon discovers that his death might have a connection to London's organized-crime world. Winspear has done a remarkable job with this series, which has now covered more than a decade (the first installment was set in the late 1920s; this one takes place in 1940); Maisie, a woman working in what was at the time considered almost exclusively a man's field, is a wonderful creation, representative of her era while being at the same time a thoroughly modern woman. The mystery in this book is cleverly designed, too, allowing the author to explore the environment in England in the early, quiet days of WWIIthe so-called phony war, before the Blitzand to explore England's 1940s-era criminal underground. A first-rate historical mystery.(Reprinted with permission of Booklist, copyright 2018, American Library Association.)