First Person

First Person
افزودن به بوکمارک اشتراک گذاری 0 دیدگاه کاربران 3 (1)

A Novel

مشارکت: عنوان و توضیح کوتاه هر کتاب را ترجمه کنید این ترجمه بعد از تایید با نام شما در سایت نمایش داده خواهد شد.
iran گزارش تخلف

فرمت کتاب

audiobook

تاریخ انتشار

2018

نویسنده

David Linski

شابک

9780525588962
  • اطلاعات
  • نقد و بررسی
  • دیدگاه کاربران
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نقد و بررسی

Publisher's Weekly

February 5, 2018
This harrowing if unsubtle story of insidious corruption is a combination of satire, tragicomedy, melodrama, and polemic from Flanagan, winner of the Man Booker for The Narrow Road to the Deep North. Narrator Kif Kehlmann is a desperate man. Determined to finish his first novel, nearly destitute, and responsible for a toddler daughter and a wife pregnant with twins, he agrees to take a job that seems too good to be true. If he can ghostwrite the autobiography of a notorious Australian con man convicted of embezzling $700 million, he’ll earn $10,000; if he fails to complete the contract in six weeks, however, he’ll get nothing. The noxious criminal, Siegfried Heidl, is a brutal, repulsive embodiment of evil. He refuses to provide the details Kif needs, but asks intrusive questions about Kif’s family. The menacing tone established early on loses momentum as Kif struggles and fails to get facts from Heidl, while realizing he’s losing his own moral probity in a Faustian bargain. Flanagan is sharply satiric about Australia and its publishing industry, political chicanery, and corporate malfeasance; the heavy Australian focus, however, may be a stumbling block to American readers not already familiar with the terrain. 50,000-copy announced first printing.



AudioFile Magazine
Flanagan's novel comes to life because of narrator David Linski's ability to transform its characters into people listeners can relate to. The audiobook focuses on poverty-stricken writer Kif Kehlmann, who agrees to ghostwrite the memoir of Siegfried Heidl, a criminal with a history of fraud and other crimes. Linski is adept at gently exposing the internal conflict that arises as Kehlmann tries to determine whether he is writing a story, becoming part of it, or being manipulated in other ways. Linski does so using a deft mix of inflection and tone that work to bring out Kehlmann's varying emotions and create a fascinating experience for listeners. D.J.S. � AudioFile 2018, Portland, Maine


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