84K

March 19, 2018
Lyrical language, stream-of-consciousness dialogue, and a nonlinear structure complicate this otherwise straightforward tale of entrapment within, and resistance against, a future England where every crime can be resolved through financial restitution or indentured servitude. As part of the Criminal Audit Office, Theo Miller determines what each offense is worth: £780 for sexual harassment, £84,000 for murder, and so forth. But when Dani, his ex-girlfriend, is murdered while attempting to expose the all-powerful, all-controlling Company for its corruption and abuses—and she names Theo as her missing daughter’s father before she dies—Theo is determined to finish what she started, even if it means destroying both Company and country in the process. His investigation takes him to all corners of England, from rich enclaves to hopeless slums, as the dark secrets of his own past unfold. North (The End of the Day) paints a vivid and disturbing picture of a corporate-run future devoid of human rights. The complex intricacy of her narrative voice makes this more of a poetic vision quest than a straightforward adventure, and the experimental style and tangled plotline show an admirable grasp of technique but may frustrate readers expecting a more conventional dystopian thriller.

In a dystopian Great Britain run by a corporate entity called The Company, fines are levied for all crimes, even those as serious as murder. The rich, who can pay these penalties, go free. Those who can't are sentenced to hard labor and become society's underclass. Narrator Peter Kenny, through his smooth, effective use of accents, reminds the listener that this future Britain remains a caste society. At the heart of the cautionary tale is Theo, a cog in the machine, who rises up after an old friend, Dani, is murdered for daring to ask questions. Thanks to Kenny's skill, listeners can vividly imagine the people Theo encounters from all strata of society as he seeks justice for Dani and hunts for the daughter he never knew he had. This is a dense production, but Kenny succeeds in helping the listener differentiate its many characters. The result is a stark but satisfying listen. D.E.M. � AudioFile 2018, Portland, Maine