Bring Up the Bodies
Thomas Cromwell Trilogy, Book 2
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- نقد و بررسی
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نقد و بررسی
This second volume in Hilary Mantel's planned trilogy about Thomas Cromwell, right-hand man to Henry VIII of England, is a perfect marriage of the written and spoken word. As her awards and wide readership attest, Mantel writes wonderfully. She also writes long. Thus, we hail Simon Vance, whose silken tones and expert pacing keep us engaged throughout. In this volume, Henry is disenchanted with Anne Boleyn. While we all learned the outcome in high school history class, Mantel still fascinates with Cromwell's view of the machinations of king and court. Vance enhances the story with instructive vocal portraits of key players and a listenable tempo that keeps us clear and entranced until the end. A.C.S. Winner of AudioFile Earphones Award © AudioFile 2012, Portland, Maine
April 2, 2012
When last we saw Thomas Cromwell, hero of Mantel’s 2009 Man Booker Prize–winning Wolf Hall, he’d successfully moved emperors, queens, courtiers, the pope, and Thomas More to secure a divorce and a new, younger queen for his patron, Henry the VIII. Now, in the second book of a planned trilogy, Cromwell, older, tired, with more titles and power, has to get Henry out of another heirless marriage. The historical facts are known: this is not about what happens, but about how. And armed with street smarts, vast experience and connections, a ferociously good memory, and a patient taste for revenge, Mantel’s Cromwell is a master of how. Like its predecessor, the book is written in the present tense, rare for a historical novel. But the choice makes the events unfold before us: one wrong move and all could be lost. Also repeated is Mantel’s idiosyncratic use of “he:” regardless of the rules of grammar, rest assured “he” is always Cromwell. By this second volume, however, Mantel has taught us how to read her, and seeing Cromwell manipulate and outsmart the nobles who look down on him, while moving between his well-managed domestic arrangements and the murky world of accusations and counteraccusations is pure pleasure. Cromwell may, as we learn in the first volume, look “like a murderer,” but he’s mighty good company. Agent: Bill Hamilton, A.M. Heath.
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