Driving the King

Driving the King
افزودن به بوکمارک اشتراک گذاری 0 دیدگاه کاربران 5 (0)

مشارکت: عنوان و توضیح کوتاه هر کتاب را ترجمه کنید این ترجمه بعد از تایید با نام شما در سایت نمایش داده خواهد شد.
iran گزارش تخلف

فرمت کتاب

audiobook

تاریخ انتشار

2015

نویسنده

Adam Lazarre-White

ناشر

HighBridge

شابک

9781622316076
  • اطلاعات
  • نقد و بررسی
  • دیدگاه کاربران
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نقد و بررسی

AudioFile Magazine
Narrator Adam Lazarre-White perfectly conveys the two very opposite voices of 1950s African-American singer Nat King Cole and his driver, Nat Weary, in this novel based on fact. When Cole is attacked on stage by a pipe-wielding man, Weary saves his life. Lazarre-White inhabits Weary as he serves time in a tough Southern prison and then portrays his changed life when he works for Cole. Listeners will feel as if they're privy to conversations in pre-Civil Rights America, a period when buses were boycotted and Cole had to sponsor his own 15-minute program. Most impressive is Lazarre-White's rendering of Cole's lovely, mellow speaking voice. S.G.B. © AudioFile 2015, Portland, Maine

Publisher's Weekly

Starred review from November 10, 2014
Howard (Like Trees, Walking) brings readers back in time to postwar Alabama, in this velvety smooth fictional memoir. The story starts on the day of a long-awaited concert in Montgomery in 1956, featuring native son Nat King Cole. The narrative returns to this day repeatedly, but the events of the novel begin a decade before. Nathaniel Weary is just back from the European front and is looking forward to a concert by Cole, his now-famous childhood friend. During Cole’s first song, though, he is attacked by a white man, and Weary literally leaps from the balcony to the singer’s defense. Cole is saved but Weary is sentenced to 10 years in prison for “inciting a riot.” Howard moves back and forth in time, describing Weary’s days at war, his recollections of his family, his time in prison, and, eventually, his years in L.A. as Cole’s driver and bodyguard. This story about a strong man, living with his head held high, is set against the backdrop of Jim Crow and the Montgomery bus boycott. Howard’s prose goes down like the top-shelf whiskey that Weary favors, making for a heady reading experience.




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