A Place for Us

February 1, 2018

Hadia is marrying for love, not tradition, and the story of her California-based Indian Muslim family unfolds on the eve of her wedding from the varied perspectives of mother, father, and three siblings. From a debuting Iowa Writers' Workshop grad, this is the inaugural acquisition in Sarah Jessica Parker's new imprint.

Copyright 2018 Library Journal, LLC Used with permission.

April 1, 2018
An American Muslim family is torn apart in the struggle between tradition and modernity."The wedding was coming together wonderfully. People were arriving on time. There was a table for mango juice and pineapple juice and another for appetizers, replenished as soon as the items were lifted from the platter. White orchids spilled from tall glass vases on every table." But down the hall at the hotel bar, there is an element of this wedding that is not coming together so smoothly--the prodigal brother of the bride. Amar ran away from home years earlier after a series of escalating troubles in high school, rooted in a forbidden romance between him and Amira Ali, the daughter of a prominent local family. Their connection became only more intense when Amira's older brother, a close friend of Amar's, was killed in a car accident. The novel moves back and forth in time to explore the story of parents Layla and Rafiq and their three children, Hadia, Huda, and Amar. The events of 9/11, the temptations of drugs and alcohol, the pressure for academic achievement, and the traditions of arranged marriage all play a role. It is Hadia, the bride, who has reached out to her brother and begged him to attend her wedding, but when he sees his one-time love Amira among the guests, old secrets and betrayals bubble to the surface. Unfortunately, as the story rolls back and forth through the chronology and the perspectives of the different family members, the conflicts are rehashed too many times and at too much length. The debut of 26-year-old Mirza is the first book from Sarah Jessica Parker's imprint at Hogarth; it explores the spiritual lives of its characters with sympathy and passion. The title of the book echoes a song from West Side Story, itself a retelling of Romeo and Juliet. Here the warring forces are not two families but one, split by the tension between reverence and rebellion.The author's passion for her subject shines like the moon in the night sky, a recurrent image in this ardent and powerful novel.

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April 30, 2018
Bonds of faith and family strengthen and strangle in this promising but flawed debut, set in a close-knit Indian Muslim community in California. The story opens with the wedding of Hadia, golden child of Layla and Rafiq and older sister to Huda and Amar, skillfully setting up the central tension: why has Amar, the troubled youngest, been absent from the family, and can he be drawn back? The plot then shuffles backward and forward, revisiting plot points with few signposts to let the reader know when exactly key events—an untimely death, the snuffing out of a forbidden relationship, a family-rupturing fight—take place. Perspective alights on various characters, revealing more about some than others; middle child Huda remains nearly opaque, and early references to Rafiq’s violent temper are all but dropped. For the final 80 pages, Rafiq narrates, and the story at last coheres. He delivers a heartrending reflection on his role in his son’s partly self-imposed banishment: “It is in these moments that the fabric of my life reveals itself to be an illusion: thinking that I am fine, we all are, that we could grow around your loss like a tree that bends around a barrier or wound.” Mirza displays a particular talent for rendering her characters’ innermost emotional lives, signaling a writer to watch.

July 1, 2018

Layla and Rafiq are traditional Muslim Indians. After their arranged marriage in Hyderabad, young Layla joins Rafiq in northern California, where they immerse themselves in their mosque and its community and start their family. They do their utmost to raise their children in strict adherence to their faith. Mirza writes eloquently about the parents' choices and their children's subsequent struggles to straddle two cultures and assimilate. Daughters Hadia and Huda navigate life with Islamic constrictions much more successfully than their younger brother Amar. For Amar, there are too many contradictions, and from early childhood, he questions and rebels. In turn, his parents ramp up their restrictions and their disapproval, creating a downward spiral for Amar as the family is slowly but surely torn apart by cultural conflicts and misunderstandings. Teen readers will appreciate Hadia and Huda and will empathize, commiserate, and identify with the beleaguered Amar. Written alternately from each character's perspective, the narrative moves back and forth in time (sometimes confusingly), with Hadia's wedding the anchoring event. The writing is delicate, evocative, and intense but accessible. VERDICT Teens who enjoy powerful family dramas such as Mitali Perkins's You Bring the Distant Near and rebellion stories like Erika L. Sanchez's I Am Not Your Perfect Mexican Daughter will love this gripping and bittersweet tale.-Gretchen Crowley, formerly at Alexandria City Public Libraries, VA

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