The Pleasure of My Company

Starred review from September 15, 2003
Martin's first novella, Shopgirl (2000), was a revelation, a compassionate yet cool, meticulously crafted tale of a young woman's affair with an older, successful man—not what most readers were expecting from the famed comic actor and author of Pure Drivel. Martin's second novella continues the enjoyment, offering another story with a conscience, one funnier than Shopgirl but put together just as smartly, if very differently. Martin forgoes the distanced omniscient narration of Shopgirl by plunking readers into the head of one the odder yet more charming protagonists in recent fiction, Daniel Pecan Cambridge, a gentle soul suffering from a mild mix of autism and obsessive-compulsive disorder. Daniel, 33, lives in a rundown Santa Monica apartment, his life constricted by an armor of defensive habit (all the lightbulbs in his apartment must equal 1,125 watts; he can't step over curbs so can cross streets only where two opposing driveways align, etc.), his dull days punctuated only by imagined romances and visits by his student social worker, lovely and kind Clarissa. Daniel's ways (a product of child abuse, Martin shows with subtlety) are challenged when Clarissa and her infant son, Teddy, move in to escape an abusive husband; when Daniel wins a contest as "Most Average American" and must give a speech to claim the $5,000 prize; and when his beloved grandmother dies, sending him on a road trip of discovery back home. This novella is a delight, embodying a satisfying story arc, a jeweler's eye for detail, intelligent pacing and a clean, sturdy prose style. What's most remarkable about it, though, is its tenderness, a complex mix of wit, poignancy and Martin's clear, great affection for his characters. Many readers are going to love this brief, big-hearted book. Agent, Esther Newberg. 250,000 first printing; major ad/promo, including Today Show appearance.

August 1, 2003
Readers unfamiliar with Martin's previous novella, Shopgirl, may be surprised to find that the comic actor is a decidedly serious author. Rather than wild-and-crazy attention-getters, Martin's literary characters are sweet, sad, and gentle oddballs. Daniel is a thirtysomething former cryptanalyst whose neuroses keep him isolated in his Santa Monica apartment, observing but rarely participating in the world around him. His hang-ups about crossing streets lead him on highly circuitous routes to Rite-Aid, where he goes to ogle his favorite pharmacist surreptitiously. To head off panic attacks, he fabricates massive "magic squares"-the mathematical puzzles favored by Ben Franklin. Daniel's quiet days are broken only by erratic check-ins from an understanding grandmother and biweekly visits from a student psychologist named Clarissa. It is through Daniel's growing relationship with Clarissa and her toddler son that he finally begins to come out of his head and into the world. Martin is adept at painting vivid metaphors; scenes where Daniel thwarts Clarissa's attempts to analyze him are particularly deft. A pleasure to read; recommended for all libraries.-Christine Perkins, Burlington P.L., WA

Copyright 2003 Library Journal, LLC Used with permission.

Starred review from September 1, 2003
Martin's first novel, " Shopgirl" (2000), was charming and clever, and his second is even more accomplished. Daniel Pecan Cambridge (his middle name is taken from his grandmother's successful pecan farm in Texas) is at odds with the world. He can only cross the street at driveways that are directly opposite each other, he must have an exact amount of light wattage in his apartment at all times, and he longingly watches a beautiful pharmacy clerk and a sexy realtor from afar. A psychiatry student named Clarissa visits him twice a week, trying to get to the root of his many phobias and quirks, but he holds her at a distance because she tells him nothing about her personal life. He knows she's somehow connected to the little boy and the woman he sees outside his apartment during their sessions. It turns out the little boy is Clarissa's son, Teddy, and one day, when Clarissa's ex-husband tries to take Teddy from her, Daniel literally throws himself over the boy and suddenly finds himself drawn into their lives. Daniel grows increasingly attached to them and realizes that his phobias might have to take a backseat to the people in his life. Martin's trademark humor is guaranteed to have readers laughing hard, but there is also a great deal of sweetness here and a real affection for his characters.(Reprinted with permission of Booklist, copyright 2003, American Library Association.)