The O. Henry Prize Stories 2014
The O. Henry Prize Collection
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نقد و بررسی
October 15, 2014
Another winning installment of the nearly century-old prize volume.One day some enterprising scholar will take the O. Henry Prize anthologies and use them as the basis for a synoptic study of changes in the themes and styles of the American short story. Until that day, a few gross generalizations emerge: The day of minimalism has passed, although a few writers remain under Raymond Carver's sway; conversations in short stories are seldom as direct as they are in plays, and most of the time people wind up talking past each other; and if short stories are vignettes, manageable slices of life, then life can be awfully damned dreary: "Carl is helping her peel potatoes with another cigarette in the corner of his mouth. Dylan drinks from a can of Guinness." In short stories, people often behave as they're stereotypically supposed to-Irish people drink, working-class people argue, rich people stare vacantly-but just as often don't, and subverting expectations is the hallmark of the best of these pieces. Among the standouts are Olivia Clare's uncannily timely "Petur," set in an ash-covered valley with 86 permanent Icelandic residents and a clutch of existentially uncertain Americans ("She felt nineteen, mostly. She looked fifty"); David Bradley's neatly compact portrait of family memory as it plays out in the jumbled hills of Pennsylvania, on "rough, recondite roads-Pinchots, he called them-that snaked through gloomed forests before bursting into sunlit coves"; and William Trevor's terse study "The Women," with its densely packed opening: "Growing up in the listless 1980s, Cecilia Normanton knew her father well, her mother not at all." The volume's best story among a field of strong contenders, though, may be Louise Erdrich's "Nero," a fine contribution to the nearly forgotten tragic-dog-story genre. A must-have collection for writers and readers alike: for readers because of the high-quality prose, and for writers because of the trade secrets tucked away in the commentaries.
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