
The Bells
A Novel
- اطلاعات
- نقد و بررسی
- دیدگاه کاربران
نقد و بررسی

Narrator Paul Michael Garcia deftly draws listeners into the life of Moses Froben, a poor boy born in the Swiss Alps, the son of a deaf-mute church bell-ringer, who becomes one of Europe's most renowned castrati singers. Garcia's narration brings the book's distinctive characters to life, from the delicate phrasing of Moses to the low rumble of the giant monk Nicolai. However, his deliberate diction sometimes slows the pace. In a book that deals with the "landscape of sounds," the description of the ringing of the loudest bells in Europe--which stop oxen in their tracks and set men's bowels quivering--is pitch-perfect, and the drama only builds from there. F.J.K. (c) AudioFile 2010, Portland, Maine

July 19, 2010
Chronicling the journey of 18th-century singer Moses Froben from his Swiss village to Vienna, this debut novel strikes many melodramatic notes in an overwrought plot; squalor, beauty, horror, forbidden love, tragedy, and triumph splash broadly, sometimes artfully, but often with operatic excess. Moses, born to a deaf-mute in a belfry, possesses a unique bond to music. Cast from his home, he joins a choir, discovering that he can mold "that ocean of sound... into something beautiful." Harvell, however, shows his own limitations when he seeks to describe the resonance of music. When Moses says, "I wished I could dissolve into sound," the reader shares his frustration. A tormented choirmaster castrates Moses to preserve his beautiful voice, transforming him into a "musico," a soprano whose voice never deepens, and who will never be a man. His ability to sound like an angel brings him into contact with a wealthy family, sparking an impossible love affair with a beautiful but crippled woman. Moses's ardor impels him to Vienna and its vibrant opera scene, where his brief appearance on stage allows love to triumph before, unsurprisingly, tragedy brings down the curtain.
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