A Long Stay in a Distant Land

Count your blessings--you could be a Lum, the death-stalked family of this intriguing novel. Lums don't die in conventional ways either. Their ends come at the hands of ice cream trucks, cheeseburgers, and Nazis. Narrator James Yaegashi lovingly renders this story in an understated tone that fits the novel. His methodical pace and easy style nudge the action along and keep the book interesting. His deep voice is soothing and cool, and he makes dialogue sound as though it comes from real people. He runs into trouble only while trying to evoke convincing female characters. Unfortunately, he misses the mark, with one of the elderly females sounding like Marge Simpson. This is a minor issue though. R.I.G. (c) AudioFile 2005, Portland, Maine

March 28, 2005
Chieng chronicles three generations of the comically ill-fated Chinese-American Lum family in his whimsical debut. Ever since Grandpa Melvin defied family wishes by enlisting during WWII, the Lums have been cursed by untimely deaths. Living in suburban Orange County, Calif., certainly doesn't protect them from wayward ice cream trucks and E. coli–laced burgers. So when the certified hermit of the family, Uncle Bo—who escaped the suffocating grip of his mother's love by moving to Hong Kong—stops returning her regular form letters, which ask questions like "Do you always plan on waking up the next day?" Grandma Esther suspects the worst. Grandson Louis decides to take a much-needed sabbatical from his father, Sonny—who comforts himself with rap music while calling for revenge on the overtired medical student who crashed into his wife's car and killed her—by traveling to Hong Kong to look for his uncle. Though Uncle Bo's plight remains central, the novel adheres to no strict narrative structure; it dips in and out of the Lum family over the course of half a century, treating readers to delectable nibbles of zany family lore and conjectural genealogies stretching back centuries. Charmingly eccentric and refreshingly unstereotypical, the novel still suffers a bit from its dibs and dabs construction, which can make the story feel too slick to be satisfying. Agent, Dorian Karchmar.

May 2, 2005
Narrator Yaegashi tackles with relish the male voices in this multigenerational comic novel about a luckless Chinese-American family's adventures in the New World, adopting vocal personae both gruff and high-pitched, adult and adolescent, silly and sincere. It is the female voices that trip him up; the book's mother character, desperately protective of her sons, sounds like nothing so much as a slightly soused female impersonator. Nonetheless, Yaegashi keeps it simple, mostly sticking to the background and allowing Cheng's heartfelt, wisecracking prose to take center stage. He ably adapts to the humorous cadences of the book's dialogue, giving each of the major characters easily identifiable voices without resorting to ethnic stereotyping. This is most evident in the case of Melvin, the good-natured but dull-witted father, to whom he appropriately gives a surfer's laid-back drawl. The book bounces from parents to children, and from California's Orange County to Hong Kong, covering a wide swath in time and space, but Yaegashi's reading gives the story a uniformly polished, enjoyable feel. Simultaneous release with the Bloomsbury hardcover (Reviews, Mar. 28).

February 1, 2005
The trials of three generations of a "death-stalked" Chinese family in Orange County, CA, make for a "hilarious" debut. Simultaneous Bloomsbury hardcover.

Copyright 2005 Library Journal, LLC Used with permission.