A Midsummer Night's Dream

There are few puckish pleasures greater than listening to one of the Bard's great performances. Paul Scofield is easy to listen to in his portrayal of the fairy prince Oberon, his being one of the greatest living classical voices in English. Yet his performance is missing the inspiration one would expect. Likewise, none of the other performers on this unabridged recording are particularly inspired. Pedestrian readings and background noise make this a serviceable but disappointing trip into Shakespeare's romantic dreamscape. S.E.S. (c) AudioFile 2000, Portland, Maine

October 2, 1996
Coville follows up his version of The Tempest (see p. 84) with a retelling of another of Shakespeare's most popular plays. The fundamental story of magic, mischief and the trials and tribulations of love is preserved through well-chosen use of the original language and Coville's heady prose ("The queen... saw the ass-headed monstrosity through magic-drenched eyes"). Major plot lines are clearly and concisely rendered, but it is the portrayal of the various levels of humor-from Bottom's buffoonery to Puck's gleeful magic-making-that really captures the essence of the play. Nolan's (Dinosaur Dream) sumptuous, painterly watercolors highlight the theatrical setting of the spellbound wood. Gnarled, mossy trees provide the backdrop for a cast of unusually youthful lovers, gossamer-winged fairies (which nod at Rackham's famous interpretations) and a truly puckish Puck. A first-rate entree to the Bard. Ages 7-up.

A narrator helps compress the action of Shakespeare's charming comedy into less than an hour, telling us what's occurring and then letting the characters give us their better-known scenes. The program, "from the archives of CBC Radio," has a copyright of 2003, but judging by the acting (Hermia reminds one more of Virginia Mayo than Judi Dench) and music (composed for this program, and quite enjoyable), it was recorded in the early '50s at the latest. Still, the acting runs from adequate to excellent, and the narration is polished; the whole will make a pleasant, if abbreviated, version of the play for those who find its age quaint rather than off-putting. W.M. (c) AudioFile 2005, Portland, Maine