A Smile on the Face of the Tiger

Starred review from July 31, 2000
HThe three Shamus Awards Estleman has won for his Amos Walker mysteries (The Hours of the Virgin, etc.) testify to his reputation as the torchbearer of the classic PI yarn. In his 14th novel about the tough-minded Detroit gumshoe, Estleman pays explicit tribute to his artistic ancestors, dedicating the book to "Hamilton, Prather, McCoy, and Spillane" and others, and centering its complicated, absorbing plot around the fates of a classic paperback writer and the bombshell blonde who posed for his books' lurid covers. Walker is hired by sleek Louise Starr, owner of a nascent New York publishing house, to find Eugene Booth, author of such titles as Tough Town and Bullets Are My Business. Booth has called it quits on a contract to reprint his best-known novel, Paradise Valley, set within the horrific Detroit race riot of June 1943; Starr wants to know why. Walker locates Booth, a broken old drunk tapping at a manual typewriter, at a fishing lodge north of Motor City. They drink and they talkDabout the murder of Booth's wife way back when and about what really went down at the riot; hours later, Walker finds Booth hanged in his cabin. Suicide? Then how to explain the "heeled" guy in an adjacent cabin, who Walker soon learns is hit man-turned-bestselling author Glad Eddie Cypress? Fleta Skirrett, former paperback jacket honey, now waiting to die in an old folks' home, offers some clues, and so does the son of the painter of Booth's covers, who lives surrounded by plastic-wrapped paperbacks. A good, involving mystery featuring strong characters and prose as smooth as the brim of a fedora, this novel makes smart points about writing, publishing and the cult of mysteries. Anyone who appreciates the difference between a gat and a gun, a gam and a leg, is going to wolf it down.

May 1, 2000
Eugene Booth wrote noir novels in the fifties but then disappeared, apparently a victim of the bottle. He resurfaces, lawsuit in hand, when a publisher reprints one of his books without permission. With his name back in the headlines, and a new contract pending from a legit publisher, Booth disappears again. Detroit PI Amos Walker is hired by the publisher, Louise Starr (an old flame of Walker's), to find the elusive writer. Walker, more than a little intrigued by the case--living the noir life himself--tracks Booth down to a fishing resort in northern Michigan. There he strikes up a friendship with the hard-drinking, bitter man and learns that the writer is working on a nonfiction account of a Detroit race riot in the forties. When Booth unexpectedly dies in an obviously staged suicide, Walker realizes that the half-century-old race riot may still hold secrets that powerful people in Detroit do not want revealed. Walker is himself a modernized version of the pulp-era PI, and award-winner Estleman has written a very entertaining thriller that offers a fitting tribute both to the genre and to the tough, passionate men who created it. ((Reviewed May 1, 2000))(Reprinted with permission of Booklist, copyright 2000, American Library Association.)