Bait

January 31, 1994
Abel's brisk, sparely written thriller reads more like an accomplished 10th novel than a debut. Jack Walsh, a cop who has been hitting the bottle since his partner died in an aborted drug bust, wakes up in a Boston hospital after an automobile accident to learn that the other car's driver--the only son of local crime boss Johnny D'Angelo--is dead, which means Walsh is as good as dead himself. After resigning from the force and serving time in a state medical facility, Walsh holes up in his hometown, Athol, Mass., to wait for the Mafia hit he knows is coming. Unknown to Walsh, the DA's office has him under surveillance; they're using him for bait, hoping to get evidence against D'Angelo when the mobster comes gunning for him. So begins a cat-and-mouse game that involves Walsh's family and neighbors, D'Angelo's future son-in-law and the DA's office. Walsh has very little chance of surviving unless he can get someone to listen to his suspicions about a crooked cop who might be responsible for the death of his partner. Abel skillfully makes several potentially cliched characters quite believable, and delivers his complicated plot with the simplicity of screenplay stage directions. Unlike many first novels, this one is delightfully free of authorial excess.

April 15, 1996
In Bait, Abel's first novel, our hero is a drunken police detective on a downward spiral who kills the only son of a powerful Mafia don in a drunk driving accident. The feds step in and set the cop up as bait in order to catch the Mafioso in an incriminating act--such as killing a cop. The story is gritty, dark, and well plotted. Frank Muller is a reader of great skill and virtuosity who effortlessly complements Abel's prose with an impeccable reading. Highly recommended for crime fiction collections.--Kristen L. Smith, Loras Coll. Lib., Dubuque, Ia.

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