Lazy Eye

Lazy Eye
افزودن به بوکمارک اشتراک گذاری 0 دیدگاه کاربران 5 (0)

مشارکت: عنوان و توضیح کوتاه هر کتاب را ترجمه کنید این ترجمه بعد از تایید با نام شما در سایت نمایش داده خواهد شد.
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فرمت کتاب

audiobook

تاریخ انتشار

2008

نویسنده

Robin Miles

شابک

9781436116343
  • اطلاعات
  • نقد و بررسی
  • دیدگاه کاربران
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نقد و بررسی

AudioFile Magazine
The acute tension of the protagonist in this novel is conveyed aptly in a terse British accent by Razaaq Adoti. The rapid speech of the angry youngster contrasts with the slow pace of the story, which is told mostly as the internal monologue of an adult looking back at his childhood. Both of these qualities make Adoti's sensitivity to the main character necessary for the listener, who might otherwise lose interest. The storyteller, who reflects on racial politics in England in the 1970s--which ruined his father's life--is full of roiling emotions. Adoti tells the story with feeling, conveying a sense of injustice at the waste of what could have been one of the best football players in England's history. M.R. (c) AudioFile 2008, Portland, Maine

Publisher's Weekly

January 29, 2007
Curling backward and forward in time, Daley-Clarke's debut is less a beginning-to-end novel than an incisive set of related character studies that fugue around a tragedy. The novel's decisive moment takes place during the miserable London summer of 1976, when temperatures reach record highs, and the family of 10-year-old Geoffhurst Johnson splits apart in sudden, tragic fashion. Geoffhurst's father, a West Indian-born soccer player named Sonny, commits an out-of-character crime, leaving Geoffhurst and his sister, Susie, in the care of their aunt Harriet: Geoffhurst and Harriet narrate, with Sonny's letters from prison filling out his perspective. As the book opens, Sonny is about to be released from prison, and a college-age Geoffhurst must push past a tabloid journalist, who offers him five figures for his story, to get into his apartment. He then proceeds to tell the story in his own elliptical way. Geoffhurst charms even when he is behaving boorishly, but even though a lot of what he remembers and talks about is quite vivid, he himself remains frustratingly opaque. Harriet, more reserved, is even less accessible. Extended digressions (British minor-league soccer, voodoo, teenage gangs) are nicely done. The whole doesn't equal the sum of its parts, but British Daley-Clarke shows a great deal of promise.




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