
Fanon
فرمت کتاب
audiobook
تاریخ انتشار
2008
نویسنده
Dion Grahamناشر
Recorded Books, Inc.شابک
9781436185301
- اطلاعات
- نقد و بررسی
- دیدگاه کاربران
نقد و بررسی

Dion Graham provides a soothing and contemplative narrative voice for the imagined story of Frantz Fanon, who fought for Algeria's independence from the French in the 1950s and wrote several seminal works on colonialism. Difficult issues such as racism and the violence of the Algerian resistance to French occupation are part of the story of this philosopher, psychiatrist, revolutionary, and author. Graham capably navigates this multilayered text, a fictionalized reconstruction of Fanon's life and work told through three different, complicated narratives. The dreamy quality in Graham's voice establishes the right tone for this volume, which reads as an intertwined personal memoir and factual biography, as well as a metaphysical work on the nature of fiction. M.R. (c) AudioFile 2009, Portland, Maine

September 3, 2007
Psychiatrist and revolutionary Frantz Fanon (1925–1961) fought to free Algeria from French rule, and wrote several key texts on colonialism, including The Wretched of the Earth
. Wideman (Brothers and Keepers
) offers a fragmented look at Fanon's life, presenting three narratives in fits and starts. The first documents episodes from Fanon's life, including his Martinique childhood and death in a Bethesda, Md., hospital. In the second, a 60-year-old novelist named Thomas writes a screenplay about Fanon that he hopes to sell to Jean-Luc Godard, and, in a jarring narrative turn, receives a package that contains his own head. In the third, a character named John Edgar Wideman writes about his “twin” (Thomas), wrestles with his obsession with Fanon, visits his imprisoned brother Rob and thinks about his wheelchair-bound mother in the Homewood section of Pittsburgh (where Wideman grew up and has set many past stories). Some of the Fanon anecdotes are excellent, but the book as a whole is a series of glittering dead ends, interspersed with thoughts on writing and current affairs, and the irritating story of Thomas's head. Beautifully written but inconclusive, Wideman's 18th book is best approached as a meditation on fiction and character.
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