Absolute Friends

Le Carré brings his superb reading talents--sonorous, cultured voice; gift for accents; deft expressiveness--to the story of Ted Mundy, a fumbling, well-meaning Brit; a '60s radical who stumbles into Cold War spying with German friend Sascha; a defector to the East who hates his Stasi masters. Years later, Sascha involves Ted in an idealistic scheme leading to a world more shadowy yet, where both "good guys" and "bad" are startlingly evil. As le Carré moves from ironic sympathy to scorn and outrage, he exploits his story to express a desperately cynical worldview that some will call skewed, if not delusional. But his knowledge, intelligence, and passion demand a hearing, and his performance--he is simply one of the best author readers there is--makes that hearing a pleasure, however bitter the material. W.M. Winner of AUDIOFILE Earphones Award (c) AudioFile 2004, Portland, Maine

Starred review from April 5, 2004
Le Carré's angry, ultimately heartbreaking novel focuses on Ted Mundy, a good-natured British expat in Germany who's eking out a mundane existence guiding tourists through Bavarian castles when his longlost friend Sasha, a diminutive German anarchist, appears to offer him financial and ideological salvation. A surprisingly long flashback takes listeners from Ted and Sasha's first meeting in West Berlin in 1969 through the Cold War and, consequently, their careers as spies, before returning to Sasha's present scheme to save the world from Western imperialism. The story melds the poignant personal tale of Mundy's unwavering altruism with the author's sardonic take on the perfidy of economic globalization. Both themes are well-preserved in this seamless abridgement. No one reads Le Carré better than Le Carré. His nuances, accents and inflections are as brilliantly precise as his prose. For example, Le Carré lends Mundy's voice a note of optimistic naïveté that eventually ages into a soft, measured fatalism, but for the ever-aggressive Sasha, his voice takes on a nervous intensity. Mood-appropriate music serves as a bridge between chapters—a Sousa-like march here, a vaguely Beatlesque riff there—adding to this well-produced audio package. Simultaneous release with the Little, Brown hardcover (Forecasts, Nov. 24, 2003).