Five Seasons

December 1, 1988
If not as kinetic and intricate as A Late Divorce , the author's daring treatment of nine frenzied days in the life of a troubled Israeli family, Yehoshua's latest novel reconfirms his status as a shrewd analyst of domestic ordeals. Neatly and leisurely divided into ``five seasons'' following the death of the protagonist's wife of 30 years, this is a genuine and elegant portrait of a widower, Molkho, a middle-aged Sephardi, like his creator, and his heartfelt grief and painfully awkward readjustment to life as a single person. A passive, frugal civil servant obsessed with bodily functions and malfunctions, who diligently and celibately cared for his wife through a long illness, Molkho is a straight man, vulnerably ripe for absurd romantic entanglements. He is variously infatuated with or fancied by the barren, fey cast-off wife of a ``born-again'' Orthodox Jew; an aggressive lawyer, who is senior to him on the bureaucratic ladder; an Indian girl in a development town; and a Russian emigre Molkho helps to repatriate. Although much here is universally applicable, Yehoshua continues to advance his vision of Israel as the necessary, if chaotic and problematic, receptacle of the scattered remnants of world Jewry.

Starred review from April 1, 1996
The irrational, untamable power of love becomes almost palpable in Israeli novelist Yehoshua's intense novel of forbidden passion, obsession and spiritual yearning. Its introspective, ironic narrator, Benjamin Rubin (Benjy), an internist in surgery at a Tel Aviv hospital, is asked by the hospital director, Dr. Lazar, to accompany him to a remote town in India where Lazar's college-dropout daughter, Einat, is suffering from acute hepatitis and urgently needs medical care. Benjy, 29, falls madly in love--not with Einat, whose life he saves, but with Dori, Lazar's matronly, spoiled, ordinary, 50-ish wife, whom he beds once. When she rejects his passion as impossible and silly, Benjy hastily marries hippie-like, kibbutz-raised Michaela, who espouses Hindu religious concepts and works with the "sidewalk doctors" of Calcutta. They have a daughter, Shivi, but, despite their sexual rapport and mutual affection, theirs is not a marriage of love. When Lazar requires open-heart surgery, Benjy, who takes part in the operation, must ask himself whether he truly wants to save the man or whether he wishes Lazar dead so that he can pursue his impossible love for Dori. At times, Benjy's minute self-analysis is wearying, and it's tempting to dismiss his problems as a passing Oedipal fixation. Mostly, however, Yehoshua (Mr. Mani) mingles fascinating medical detail with the story of one man seeking to open his own heart to life's possibilities, including pain. Author tour.