The Ambler Warning

The Ambler Warning
افزودن به بوکمارک اشتراک گذاری 0 دیدگاه کاربران 4 (1)

A Novel

مشارکت: عنوان و توضیح کوتاه هر کتاب را ترجمه کنید این ترجمه بعد از تایید با نام شما در سایت نمایش داده خواهد شد.
iran گزارش تخلف

فرمت کتاب

audiobook

تاریخ انتشار

2005

نویسنده

Scott Sowers

ناشر

Macmillan Audio

شابک

9781593978020
  • اطلاعات
  • نقد و بررسی
  • دیدگاه کاربران
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نقد و بررسی

AudioFile Magazine
There are audiobook readers, and there are audiobook performers. In the case of this Ludlum thriller, Scott Sowers rarely goes beyond delivering a competent rendering of the text. Occasionally, he lends some emotion to the words to convince listeners that he is portraying characters. But mostly he just reads, which is unfortunate as Ludlum could have used some help telling his complex story of a spy who escapes from a mental institution and tries to prevent an assassination. The story calls for some varied accents and characterizations. However, Sowers fails to deliver. And the work is poorer for it. M.S. (c) AudioFile 2006, Portland, Maine

Publisher's Weekly

August 15, 2005
For some bestselling authors, death is no impediment to an enduring career. But the latest Ludlum (d. 2001) novel, penned by an unnamed hired hand, reveals the problems inherent in such an arrangement: neither sufficiently like Ludlum's originals nor compellingly distinctive, it inhabits a kind of thriller purgatory to which only the most dedicated Ludlumite will be eager to venture. After a two-decade career as a clandestine operative, Hal Ambler is drugged and warehoused in the Parrish Island Psychiatric Facility, a government nuthouse for spies. A sympathetic nurse aids his escape, and soon Ambler is on the run, trying to figure out who he is and, more importantly, who he was. There are a few interesting characters—particularly CIA accountant Clayton Caston, a man who knows little about feelings but who can tease a mountain of information out of a spy's expense account—but the villains are mostly invisible and everybody else ends up dead before you really get to know them. Just because a writer can copy what was once a successful style does not automatically assure his publisher a successful book.




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